MR.HAZ

<div>A couple of "chulapos" on traditional dress dancing a "chotis"&nbsp;</div>

Amor de barrio. La Latina

Murales Lian

<div>&nbsp;A cat keeping a watchful eye on the Sputnik self-managed neighbourhood park.&nbsp;</div>

Gato

Toxicómano

<div>A message of hope in a youth cultural centre located in one of Madrid's most vindictive neighbourhoods&nbsp;</div>

Somos futuro

Zhars

<div>Marilyn Monroe, Warhol style, dressed in traditional Madrid costume. She has become a "photocall" for many tourists and passers-by.</div>

Marilyn

<div>A girl in black and white with a red flower decorating a silo in the Sputnik self-managed neighbourhood park, Vallecas&nbsp;</div>

Untitled

Borondo

<div>A woman and a man stand with their backs turned away from each other, their heads turned in opposite directions facing outward, their hands crossed behind their backs. Only the heads and hands are pictorially finished, while the rest of the body remains as a sketch with a reference to the Madrid City Hall.<br><br>In the words of Borondo, the author: "After witnessing several truly grotesque scenes provoked by the authority forces and knowing about the new laws proposed by the government that only encourage the abuse of power, I decided to dedicate this mural to its sponsor, the Madrid City Hall, and to reflect my feelings about it. What, from my point of view, the citizens of Madrid carry on their backs".&nbsp;</div>

Paisaje urbano

Gabriel Calle Arango

<div>"Colombia diverse and vital" is located inside the subway station of Colombia, representing the richness of Colombia through several small scenes of the fauna, flora and daily life. In the words of the artist, "It is the joy that we have, it is the resilience that has allowed us to become thriving men and women and to develop".&nbsp;</div>

Colombia diversa y vital

suso33

<div>&nbsp;Suso33 turns those enigmatic figures that look like shadows about to vanish, into an icon. Cualtis have used them to decorate their headquarters, breaking with them the scale of the building and thus emphasising the size of the people.&nbsp;</div>

Tetoux

<div>Tetoux speaks to our inner child. He brings a child in his arms, one that could be Russian or Ukrainian, your neighbour or your own child. There is no justification for violence. Be a better person, a better citizen and take care of our children, our future adults. Please dialogue, agree and bring peace as quickly as possible.&nbsp;</div>

Please, Dialogue, Agreement and Peace

Animalitoland

<div>A boy and his imaginary friend, eating watermelons in their own world within the market and its hectic pace. It is located inside the food market, not easy to find</div>

Watermelon King

<div>On the wall of a building in the square, a group of more or less concentrated human silhouettes occupy the entire surface of the wall. The light casts their shadows on the fictitious surface on which they stand. Seen from a distance, this group is vaguely reminiscent of a larger human silhouette made up of all the small silhouettes.<br><br>In words of the artist, "What I am talking about here is the individual as opposed to the mass, the contrast of feeling part of the whole and at the same time exclusive and unique".&nbsp;</div>

zecarrion

<div>Catwoman, Superman, Batman and Robin. No one should care who you love</div>

Free love

ElReina

<div>Two man who touch each other's hands, who miss each other, but certain limits prevent total contact between them. The pandemic has bring us to a state where contact with the other is missed, locked in our small cubicles, we miss each other and long for the moment when we can go out and be together without limits.</div>

Entre el borde

Casassola

<div>Beautiful version of the myth of the abduction of Europa by Zeus, disguised as a bull.</div>

Europa raptada

Alto

<div>Two old friends, sitting on fruit carton boxes, share stories, remembering good times and creating new ones at the parking of Moratalaz's food market. The mural generates a playful atmosphere in the market environment, mixing food elements with musical instruments and toys. Graciela Gonçalves da Silva, Animalitoland, paints figures with big eyes and sympathetic gestures, funny creatures that seem to be part of a tale that never ends.&nbsp;</div>

Amigos compartiendo viejas historias

Uriginal

<div>&nbsp;The building of the <a href="https://rebobinart.us13.list-manage.com/track/click?u=1bfbe415e38be2b31a39bd636&amp;id=5b0efa18ae&amp;e=e025e5ad57">Livensa Living Studios Madrid Alcobendas</a> project culminates with the mural intervention of more than 138 square meters of the artist <a href="https://rebobinart.us13.list-manage.com/track/click?u=1bfbe415e38be2b31a39bd636&amp;id=0eee849194&amp;e=e025e5ad57">Uriginal</a>, who has represented a female character, which fusions Athena, the Greek goddess of war and civilization, with Minerva, the Roman goddess of wisdom and the arts. The figure’s face traits look like a mosaic made of a myriad of color hues. The artist’s touch is remarkable in this work, a mark characterized by the deconstruction of organic forms to visually reinterpret them through geometric compositions that play with lights and shadows, and different volumes.<br><br>Departing from the command of color and anatomy, the artwork challenges the beholder to question how our eye deciphers what we see, which is constituted by a million of chromatic points that are ordered by sight into a shape that makes sense. The exercise that Uriginal executes is an inverted “trompe l’oeil” – instead of making his hand invisible, the artist highlights the coding of the image leaving it in its initial state, without interpretations or nuances.<br><br>Minerva’s fragmented face is complemented by another of the artist’s marks: the vibrant sunflower-like colors emanating from the figure transport us to a contemporary apparition of the goddess. At the same time, it reaffirms the artist’s mission of trying to reveal the mysteries of color.<br><br>The mural, which has been produced by <a href="https://rebobinart.us13.list-manage.com/track/click?u=1bfbe415e38be2b31a39bd636&amp;id=3174f1ce15&amp;e=e025e5ad57">Rebobinart</a>, has been executed from May 3 to 26, and will be inaugurated once the hotel opens its doors next September.&nbsp;</div>

Athena & Minerva

<div>Placed on the metal lock of a former cannabis shop, the Virgin Mary Jane seems to ask for discretion to passers-by...&nbsp;</div>

Virgen María Juana

Okuda

Rosh333

<div>The piece, located inside the subway station of Paco de Lucía, is entitled "Between two universes", in homage to the brilliant Spanish guitarist and composer and in reference to his song "Entre dos aguas" (Between two waters). Two universes converge in the mural: on the left, that of Rosh333, who has captured his characteristic language of curved lines, textures, sinuous shapes and spots of pastel colours; on the right, that of Okuda, who has done the same through his geometric figures, starry shapes and vibrant colours. Both universes merge in the central area with a portrait of Paco de Lucía, painted by the two artists.&nbsp;</div>

Entre dos universos

Barbara Siebenlist Palomar

Ni una menos

Rural Graf

<div>Rural-Graff is a Spanish artist born on the small town of Sanchonuño on the province of Segovia.&nbsp;</div>

Octopus

taquen

<div>Project supported by&nbsp; <strong>Foro de Empresas</strong>&nbsp;&amp; UVNT Art&nbsp;<br><br>I know how difficult it is to talk about this from my position, but I had the opportunity and I felt that I had to do it.<br>Talking about the future, equality and respect is talking about women, their role in society and specifically their role in the Villaverde industrial estate. Unfortunately, it is still too common to find women exploited and forced into prostitution on its streets. For the most part young people, with their whole lives ahead of them but who have not had the opportunity they deserve.<br>Spaces like this must be rethought from another position and with other parameters.<br>A polygon like Marconi must be a place of professional, safe, friendly and inclusive development for everyone and especially for them.<br><br>Nuria looks towards that future, at those new opportunities. Her gaze is accompanied by a flock of swallows, birds that migrate to safer and less hostile places, symbols of hope, of new and good beginnings.<br>I hope and wish that this project is one of the first seeds for the positive change that begins in the Villaverde Industrial Estate.<br><br>-----------------------------------------------------------------------------------------------------------------<br> Hablar de futuro, igualdad y respeto es hablar de la mujer, de su papel en la sociedad y en concreto de su papel en el Polígono de Villaverde. Por desgracia, todavía es demasiado habitual encontrar en sus calles mujeres explotadas y obligadas a ejercer la prostitución. En su mayor parte jóvenes, con toda la vida por delante pero que no han tenido la oportunidad que merecen.<br>Espacios como este deben ser repensados desde otra postura y con otros parámetros.<br>Un polígono como Marconi debe ser un lugar de desarrollo profesional, seguro, amable e integrador para todos y especialmente para ellas.<br><br>Nuria mira hacia ese futuro, a esas nuevas oportunidades. Su mirada es acompañada por una bandada de golondrinas, aves que migran hacia lugares más seguros y menos hostiles, símbolos de esperanza, de nuevos y buenos comienzos.<br>Espero y deseo que este proyecto sea una de las primeras semillas para el cambio positivo que comienza en el Polígono de Villaverde.<br><br>&nbsp;</div>

Una mirada a otro futuro

Nano4814

<div>On an old plumber's advertisement, Nano4814 depicts four characters whose postures, joined together, form a circle as if it were the choreography of circus performers</div>

Soen Bravo

<div>Bar scenes in the metal shutters of La Bobia, a historic nightlife establishment in Madrid.</div>

Yurika

<div>Located inside the subway station of Colombia, it is nspired by the mix of rhythms and cultures of Colombia; red, yellow and blue take the main role as "vibrant and fiery" inspiration for the joy that the Colombian community seeks through its festivities. "Despite certain confrontations and problems there is always something to celebrate and it is always life that we are trying to celebrate," stresses Yurika.&nbsp;</div>

El origen de las manos

Belin

<div><strong>The Master 5</strong>, is a large mural in which the author, experimenting with 'post-neocubism' pays tribute to 5 great Spanish artists, Pablo Picasso, Maruja Mallo, Diego Velazquez, Remedios Varo and Salvador Dali.</div>

The Masters 5

Basket of Nean

<div>His works give us a fresh look at the present and serve as a perfect excuse to discover new routes in the city. With nothing to envy of other mosaic geniuses, Basket of Nean offers us in theirs an irresistible visual appeal and a good vibe that have made them indispensable to understand the new art of Madrid</div>

Laura en la Ventana

PRINTR

<div>This wall represents the confrontation of the two Koreas through this animal strongly associated with this people.</div>

Confrontation of two

Helen Bur

<div>My mother, who made this beautiful sculpture when she was my age, who has held, carried, cared and guided, empathy embodied. And to Hyuro, our dear Tamara, who passed away last year, a warrior in painting &amp; life and the master of poetic force, the silent shout.My mother, who made this beautiful sculpture when she was my age, who has held, carried, cared and guided, empathy embodied. And to Hyuro, our dear Tamara, who passed away last year, a warrior in painting &amp; life and the master of poetic force, the silent shout.</div>

A homage to two women

Case Maclaim

<div><a href="https://www.instagram.com/p/CPQ3DeJNn5d/"><strong>Case Maclaim</strong></a>: I believe the actual beauty of fairy tales is that it is up to our imagination how the character looks and moves and that version is not really up to debate, as it is just like a fingerprint, very unique and personal. <strong>With this mural in the old, historical city center of Madrid I wanted to try a different approach</strong>. So I gave the viewer a new character of a yet unknown fairy tale. I have high hopes that it will encourage specially the young audience to come up with their very own story, in which the lead is a confident, black child in a golden wheelchair and in a self-made mermaid costume.<br><br></div>

The Tale of Being different

The multi-colour kiss

Jorge Rodriguez-Gerada

Byte the candy

El Rey de la Ruina

<div>A tribute to the cartoonist Quino.<br><br>"Who will take the lead in thinking of a better world?"</div>

Un Mundo Mejor

Boa Mistura

<div>The flowers of this façade by the Boa Mistura collective represent the season of spring 2020 lost to the Covid-19 pandemic. Boa Mistura were so happy to be out on the streets again and excited to paint that they finished the project in 10 days instead of the usual 3 weeks.</div>

Spring Flowers

Kike AR Garcia

<div>Two beautiful birds on a clothes line, on a store front shutter.</div>

Pájaros Calle Santa Ana

RBN Kunst

<div>Rainbow Unicorn Kebab - RBN Kunst has so many tags and smaller pieces around the city, this is one of the greatest with his trademark grinning character carving a beautiful kebab on the horn of a stunning rainbow unicorn.</div>

Rainbow Unicorn Kebab

Nevercrew

<div><a href="https://nevercrew.com/offset">This work</a> focuses on disproportion, on a delicate balance as a result of the reducing of natural space and resources in favor and because of human progress and attitudes. The human gaze on nature seems to be limited to the perception it has&nbsp; of it, as if it’s subordinate to its existence, and this maintains a detachment and a lack of awareness about the local and global situation, about reality, where there’s no understanding of the human position in the overall natural exchange.</div><div>There’s an environment that lost its balance, resources that are no more available, something that’s going to miss also for the same humans that need to benefit of it, but that nevertheless keep moving in the same direction.<br><br>Supported by Urvanity Art and Artrust<br><br></div>

Offset

Gviiie

<div><strong>GVIIIE</strong> got immersed in the world of graffiti during his teenage years, combining it with Graphic Design studies in Madrid’s Escuela de Arte 10 and Cinema Studies in the University of Arts London. Painting in a range of surfaces, he has developed a distinct neo-rupestrian style.<br><br></div><div>Painting in 3 Almendro street, the artist created a work that speaks of the timeless dimension in art. He tried to capture this concept through two designs – one of an abstract of a <a href="https://www.widewalls.ch/artist/caravaggio/"><strong>Caravaggio</strong></a> painting <em>El tañidor de laúd</em> and the other depicting a youngster listening to music over the phone. As he explained, the experience of painting in the street is always intense, being exposed to both good and bad feedback. He would also like to raise a concern about expanding communication with the local community for better and longer health of institutional street art.<br><br>Invited by Urvanity Art</div>

Zest

<div>One of the leading graffiti artists in France, <a href="https://www.widewalls.ch/artist/zest/"><strong>Franck Noto aka Zest</strong></a> is known for his unique abstract vocabulary characterized by decomposed movements. Over the years, he has turned his work into a much more personal form of expression, significantly progressing towards <a href="https://www.widewalls.ch/what-is-abstract-art-informel/">abstraction</a>.<br><br></div><div>Combining different energies found in graffiti, Zest brings them out through the basic shapes and the primary colors he uses. This is also the case with the piece on the Lavapies street which is adding a perfect touch of color to the area. Its bright colors symbolize the aspect of urban art that immediately catches the eye of passers-by, while its transparency of forms reflects an accumulation of energies and movements.<br><br></div>

Ever

<div>For each piece, Ever does <strong>anthropological research</strong>, seeking to discover the values and issues connected to specific communities where he works. Therefore, his rich and colorful piece on Embajadores Street combines art history references with figurative elements typical of <strong>the Lavapies neighborhood</strong>. The artist used motifs from Matisse’s iconic 1910 painting <em>Dance</em>, which symbolizes a strong sense of unity and a high level of community consciousness in the neighborhood. Inside Matisse’s dance circle, the artist added an assemblage of fruits, flowers and a range of different objects, all referencing <strong>El Rastro</strong>, a lively and multicultural flea market taking place each Sunday in Lavapies. On top of that, an assortment of kittens is there to provide a cuteness relief, while also sending a political message. Ever is quite happy with the feedback from the local community, highlighting the importance of creating a dialogue with them instead of just invading their space.</div>

<div>&nbsp;At the center of the eye is Planet Earth, with the Amazon as the pupil and Chile clearly visible as a homage to the official COP25 host country. “Forest Focus” alludes to the eye symbol of Goal 13 for Climate Action with the image of the world as the iris. This mural has an artistic focal point that symbolize the values set forth at the COP25 conference being held in Madrid.”&nbsp;</div>

Forest Focus

Marta Lapeña

Raquel Riba Rossy

<div>Mujeres Árbol or Tree Of Women is dedicated to victims and survivors of gender violence. Created by Raquel Riba Rossy and helped to paint as a mural by Marta Lapeña.</div>

Mujeres Árbol

Jorge Rodriguez Gerrada

<div>A social movement in Spain inspired the creation of La Chulapa&nbsp;<br>&nbsp;<br>Jorge Rodríguez-Gerada is the author of a new work of urban art called La Chulapa in the Tercio and Terol districts of Madrid.&nbsp;<br>The figure of La Chulapa evokes a woman with the typical costume of the late nineteenth century. This piece is located in the tower of the Old Water Reservoir in the street of Amalarico near San Isidro in Carabanchel.&nbsp;<br>&nbsp;<br>The aim of this project was to activate the visibility of parts of the capital that unfortunately have been forgotten by the current administrations. And what better way to do it than through urban art. Moreover, the mural has a deeper meaning because it is a tribute to all men and women who have joined forces to unite this place.&nbsp;<br>&nbsp;<br>Most importantly, La Chulapa is located in an enclave in Madrid where the inhabitants have resisted the attacks of gentrification that permeate the areas around the capital. In other words, it is a transforming force with a lot of history.&nbsp;<br><br></div>

La Chulapa

Christian Guemy

<div>This stencil piece by French artist Christian Guémy (a.k.a. C215) depicts Spanish artist and surrealism master Salvador Dalí. The piece is small in size and can be easily missed. It is located in a low window in the Cuesta de Santo Domingo, between the begining of the street and the Alliance Françcaise de Madrid.<br><br>Born in 1973, C215 started spray painting in 2005 and is today one of the finest, and most productive stencil artists on the street art scene. Guémy explains: "I try to interact with context, so I place in the streets elements and characters that belong especially to the streets. I like to show things and people that society aims at keeping hidden: homeless people, smokers, street kids, bench lovers for example".<br><br></div><div>Shepard Fairey says about Guémy: "C215's art captures a light, depth, and humanity that is difficult, and rare using stencils, his chosen medium. Stencils tend to flatten images and make them static, but C215 has developed a style of illustrating and stenciling that yields an impressionistic illumination of his subject's character. Even though his technique is meticulously refined, C215's work transcends the formal and seems to get to the core of compassion and belief in the human spirit. Encountering C215's pieces on the street always makes me happy".<br><br></div>

"Salvador Dalí"

ZE Carrion

<div>A mural by Spanish artist Ze Carrion. His forté is political, subversive and critical graffiti. This piece is located on the NGO Mundo Cooperante's headquarters in Madrid. It is based on a picture that is also displayed on the same wall. You can check Ze Carrion's instagram profile <a href="https://www.instagram.com/zecarrion/?hl=en">here</a>.</div>

Mural for Mundo Cooperante

tvboy

<div>One of several representations of Madrid's mayor, Manuela Carmena, by Italian artist tvboy. He is a specialist in paste ups, and this is one of the few of his pieces remaining in Madrid.</div>

Wonder Carmena

Yipi Yipi Yeah

<div>This playful sign intervention by Yipi Yipi Yeah can be found in Malasaña. Apparently there are and have been other signs with the same intervention in other locations. However, some of them have already been removed by authorities.</div>

Abduction

<div>(IG: @yipiyipiyeah)
<br>.
<br>Corredera Baja de San Pablo / Calle de La Puebla. 
<br>Malasaña, Madrid. 
<br>Hunted: 2019.02</div>

'de paquete en un bobsleigh' by Yipi Yipi Yeah

Marat Morik

<div>In this mural curated by Madrid’s urban art fair <a href="https://urvanity-art.com/">Urvanity</a>, the Russian artist <a href="https://www.instagram.com/maratdanilyan/">Marat Morik</a> combines his background in graffiti with his life-long passion for drawing and painting. Marat Morik’s current focus is ‘texture’, hence this collaged image where abstract and realism come together. The resulting piece is a multi-layered, multi-faceted portrait of Russian poet Anna Akhmatova.</div>

The Rhyme Of Things

Misterio de cultura

Porfavorhh

<div>(IG: @misteriodecultura + @porfavorhh)
<br>.
<br>Calle de Mira El Sol 4(+-). 
<br>Lavapiés/Embajadores, Madrid. 
<br>2019.03</div>

pasteup by Misterio de Cultura + stencil by Porfavorhh

<div>(@basketofnean &amp; @streets_illustrated)
<br>.
<br>Calle de Augusto Figueroa 6. 
<br>Malasaña, Madrid. 
<br>2019.03</div>

'Go big or go home. Part II' by Nean

<div>La Tabacalera.&nbsp;<br>Lavapiés, Madrid.&nbsp;<br>Hunted: 2019.01</div>

old piece, recently rescued, by Borondo

Joder Saiz

<div>(IG: @jodersaiz)&nbsp;<br>Bajos de La Tabacalera.&nbsp;<br>Lavapiés, Madrid.&nbsp;<br>Hunted: 2019.01</div>

Saiz

Gerbos (ESP)

Xema

<div>(IG: @xemayo + @gerbosmadrid)&nbsp;<br>Bajos de La Tabacalera.&nbsp;<br>Lavapiés, Madrid.&nbsp;<br>Hunted: 2019.01</div>

Xema + Gerbos

Wohou

Chikitín Valencia

<div>(IG: @chikitinvalencia)&nbsp;<br><br>Calle de la Palma 3.&nbsp;<br>Malasaña, Madrid.&nbsp;<br>Hunted: 2019.02</div>

'Happy star' by Wohou & stencil by Chikitín Valencia

<div>(IG: @yipiyipiyeah)&nbsp;<br>&nbsp;<br>Corredera Baja de San Pablo / Calle de La Puebla.&nbsp;<br>Malasaña, Madrid.&nbsp;<br>Hunted: 2019.02</div>

Gonzalo Ruiz Natali

<div>(IG: @gonruiznatali)&nbsp;<br>Bajos de La Tabacalera.&nbsp;<br>Lavapiés, Madrid.&nbsp;<br>Hunted: 2019.01</div>

'Oktoring' by GZ

<div>(IG: @basketofnean)&nbsp;<br>Calle de San Andrés / Calle de La Palma.&nbsp;<br>Malasaña, Madrid.&nbsp;<br>Hunted: 2019.02</div>

'Gettin' up!' by Nean

Bordalo ll

<div>"Mixed Chimp" is a collaborative mural by Spanish artist Okuda (a.k.a. Okuda San Miguel, Okudart) and Portuguese artist Bordalo II.<br>The piece was produced as a promotional stunt for the collective show Theriomorphism IV at Galeria Kreisler. This work is located on the same corner where a mural by Okuda used to be.</div>

Mixed Chimp

<div>"Porque lo llaman amor cuando quieren decir odio" (in English: "Because they call it love when they mean hate") is a mural by Spanish artist Toni Arribas (a.k.a. <a href="https://www.instagram.com/elreydelaruina/?hl=en">El Rey de la Ruina</a>). It can be found in Lavapies.</div>

Porque lo llaman amor cuando quieren decir odio

Poni

<div>"El pilar" (in English: "The pillar") is a mural by Mexican artist <a href="https://www.instagram.com/poni/"><strong>Hilda Palafox</strong></a> (a.k.a. Poni). She was one of the muralists participating in the 2019 edition of Urvanity Art Fair.<br><br>On her Instagram account, Poni explained that this was a "wall inspired by sisterhood, defined as a solidary relationship among us, among women, with the strong aim to create supportive networks which drive social change in order to create equality. 😌💜🙅🏽‍♀️💪🏻👊🏿 ".<br><br>In Spanish: "Muro inspirado en la hermandad, definida como una relación solidaria entre nosotras, entre mujeres, con el fuerte objetivo de crear redes de apoyo que impulsen el cambio social para crear igualdad. 😌💜🙅🏽‍♀️💪🏻👊🏿".</div>

The Pillar/El Pilar

Artez

<div>Mural by Serbian artist Artez. It is located on Fuencarral, a commercial street in Madrid's city center. The piece was created for the 2019 edition of the Urvanity Art Fair.<br><br>Artez shared on Facebook the following message regarding this piece:<br><br>"Mural tells us the story of Madrid, a place where visitors from all around the globe are welcome to come and enjoy the vivid artistic and cultural content that this city has to offer. Positioned in the very centre of the town, this mural creates a contrast with the pedestrian shopping street in which it is located. Instead of carrying shopping bags, girl depicted on the mural is holding a pile of books important for the history and culture of the city, and a plant with a small birdhouse that is inviting all the 'birds' to come and feel like home!"<br><br>About <a href="http://artezonline.com/">Artez</a>:<br><br>Artez was born in 1988 in Belgrade, in former Yugoslavia. At a very young age he was confronted with the conflictive political situation and the graffiti culture that was starting to appear on the streets of Belgrade during the ’90s, This new way of expression inspired Artez to start spraying in public space when he was 15 years old. The temporary nature of graffiti gave him freedom to experiment with different styles and tools used for painting and the constant change of “workspace” awakened his love for creating art in public space. Artez soon mastered the use of spray can as a painting tool he used for creating different graffiti styles &amp; characters, 3D letters &amp; photorealism. Over the years his focus moved from painting small scale surfaces with spray cans to painting large scale murals with acrylic wall paint, brush and rollers. The style he created over the years can be described as a mix of realism and illustration.<br><br></div>

About This Town

<div>(@Animalitoland + @porfavorhh)&nbsp;<br>Bajos de La Tabacalera.&nbsp;<br>Lavapiés, Madrid.&nbsp;<br>Hunted: 2019.01</div>

"Charla con Churropatatas en Plaza" by Animalitoland & Porfavorhh

<div>A reference to The Wizard of Oz, in which Dorothy, upon arriving to Oz, says, “<em>Toto, I’ve a feeling we’re not in Kansas anymore</em>.”</div>

We’re not in Kansas anymore

My only weapon

El.mar.ian

Onenain

<div>Left:<br><strong>Sebastian Antonio Carreño Gaibisso</strong>. Born January 19th 1989 in San Antonio, Chile<em>.</em><br>I want to be able to transmit emotions with warm &amp; saturated colors, complex compositions but with harmony. Using Andino symbology, recovering the philosophy &amp; cosmovision of our ancestors.<br><br>Right:&nbsp; "1312"<br><strong>El.mar.ian, </strong>Mariano. "If it wasn't personal I couldn't paint this kind of stuff. I dont find the sense on painting something that doesn't move me, in this case the revulsion on certain institutions".&nbsp;</div>

1312 // Untitled 

Glow

Jah One

<div>Collaboration of JahOne &amp; Glow on the yard of La Tabacalera, mystical iluminaty Bob Marley.&nbsp;</div>

Marley Iluminaty

<div>"Éxito/Ruina" ("Success/Ruin" in English) is a piece by Spanish artist Toni Arribas (a.k.a. <a href="https://www.instagram.com/elreydelaruina/?hl=en">El Rey de la Ruina</a>). As the artist explained on his Instagram profile, success and ruin are the two sides of the same coin. The piece can be found in the neighborhood Barrio de las Letras.&nbsp;</div>

Éxito/Ruina

<div>BOA MISTURA is a Madrilenian collective of five artists. In over 15 years, their artistic recognition is no longer questionable as evidenced by their works around the world. Their commitment is to improve neighborhoods through art, transform the city to reach the people.<br>Wall painted for CALLE Lavapies 2018, the lads try to explain the process when you're exposed to an art piece, first you see, then look &amp; at the end, feel.&nbsp;</div>

Ver, Mirar, Sentir.

<div>“Estado de ánimo” (in English: “Mood”) is a mural by Spanish artist Toni Arribas (a.k.a. <a href="https://www.instagram.com/elreydelaruina/?hl=en">El Rey de la Ruina</a>). It can be found behind the Caixa Forum museum in Madrid.<br><br>The artist explained on his Instagram account that this piece was based on a classic haiku. He added that "even on a world so full with darkness as ours, poppies blossom".</div>

"Estado de ánimo"

<div>Smoking Graciela by Lian, in the Parque Vecinal Autogestionado Sputnik in Vallecas. A stunning symbol of Vallekas' proud countercultural status, and based on a real-life legend of the district. Vallecas is not for sale.</div>

Smoking Graciela

<div>We are moving therefore we are alive. What is still, dries up and die. That is the reason why the human being has always look to go further and further, by building roads and railways, by sailing the oceans and flying above the clouds.<br>But not the only physical movement what keeps us alive.<br><br>Social unrest keeps the ideals awake and up in arms. That is another way of feeling alive. The San Cristobal colony lives with the movement -in the broadest sense- running through its veins.<br><br>"With this intervention we want to pay tribute to a community that has fought for their principles. The movement has maintained the San Cristobal Colony awake, preserving it's identity and neighborhood character despite the circle of fire that the corporate development has created around these 25 blocks."<br><br><a href="https://www.boamistura.com/en/proyecto/la-vida-es-movimiento-en/">More info on Boa Mistura's page</a></div>

La Vida Es Movimiento

Cranio

<div>Mural by Brazilian artist Fabio de Oliveira (a.k.a. Cranio). The piece was created during the second edition of Urvanity Art Fair in 2018. It depicts three of his signature blue indigenous characters.<br><br>As Cranio explained in an interview, "this mural has three shamans, who together symbolize protection, bringing balance and spreading peace. The shaman is considered one of the most important figures within the Brazilian indigenous tribes of Tupi-Guarani origin, used to refer to the figure of the counselor, healer, sorcerer and spiritual intermediary of an indigenous community."<br><br>As "Widewalls" magazine points, <a href="https://www.widewalls.ch/artist/cranio/"><strong>Cranio</strong></a> is best known for his blue Indian characters that reflect the troubles indigenous people from Brazil face in the unforgiving contemporary world. His works highlight this contrast between their spiritual world and the <a href="https://www.widewalls.ch/consumerist-art-culture-critique/">consumerist</a> and harsh environment, raising questions about the society we live in. His moniker is actually his childhood nickname he got while he was in school. He was the smartest kid in his class, so the other kids named him Cranio, someone with a big brain. Cranio means Skull in Portuguese and Brazilian. He began his art journey in 1998 by writing his name on the walls, <strong>influenced by graffiti from other artists he saw around the city</strong>, like <a href="https://www.widewalls.ch/artist/os-gemeos/"><strong>Os Gemeos</strong></a>. It wasn’t long until he started drawing characters that gave a bit of humor to the grayness of the concrete walls. He’s a self-taught artist, who learned everything he knows about the art on the streets. Over the years, his technique and context, which are essential for his work, have improved drastically, without affecting the sharpness of the style he’s known for.</div>

Three Shamans

<div>El Rey de la Ruina (Tony Arribas). The hearts of El Rey de la Ruina are now a classic of Madrid' s landscape. He has been painting the streets sin 2000 with different alias.<br>El Rey de la Ruina nickname comes from his dreams as a kid with devastated and abandoned places (or ruins). Mostly because of the relation of this spaces with the literature and disptopic or postapocaliptic cinema. The use of the hearts in his art pieces are because of a diagnosis received a time ago of a cardiomegalia, the abnormal growth of the volume of the heart.</div>

Amor al Verano

DRNS CREW

<div>Last time saw around Conde Duque cultural center, this moving piece done by DRNS Crew is a moving art piece around Madrid.<br>Go try and hunt it. 😉</div>

Graffiti Van

<div><strong>&nbsp;</strong>&nbsp;(Breathe).<br>"An Oasis in the middle of chaos".</div>

Respira 

medianeras

<div><a href="https://en.medianeras.com.ar/?lightbox=dataItem-j4uevcoz3">https://en.medianeras.com.ar/?lightbox=dataItem-j4uevcoz3</a></div>

Artworks in Madrid