Fintan Magee

Untitled

<div>The first masterpiece of the 'OneWallProjecct' series in Berlin-Tegel for UrbanNationBerlin painted in 2015</div>

<div>Inside the school's courtyard. Photo by Impermanent Art.&nbsp;</div>

<div>Year: 2017<br>Produced by: Montreal Mural Festival&nbsp;</div>

Unknown

<div>Photo by Impermanent Art.&nbsp;</div>

<div>Fintan Magee visits Melbourne often and leaves enormous murals in his wake. They often tell stories, hidden behind a layer of symbolism.</div>

<div>The mural was created for Moscow street art festival in 2014.</div>

"The Messenger"

<div>Nuart 2018<br>"Social inclusion through streetart"/ project with attende AS)</div>

Lunch break

@fintanmagee

<div>“Suspended heads”</div><div>Another huge shoutout to @redhillcinemas for allowing us access recently to photograph the amazing art at the former Redhill Skate Arena, and get the opportunity to see and share with you some of the original art there.....</div><div>@redhillcinemas 📍Red Hill, Brisbane....</div><div>Artist: @fintan_magee&nbsp;</div><div>#redhillcinemas #redhillskatearena&nbsp;</div><div>#streetphotography #streetart #streetartistry #streetartphoto #brisbanestreetart #discoverbrisbane #urban #streetartaustralia #streetartandgraffiti #streetarteverywhere #streetart_daily #streetartglobe #streetart_addiction #tv_streetart #jj_urbanart #rsa_streetart #graffiti_n_wallart #streetartcities #streetartcitiesapp #topstreetphoto #topstreetart #skatearena #abandoned #viewsofbrisbane</div>

Suspended Heads

Foxes

Flood

<div>‘Two figures behind Glass’ <br>Acrylic on Wall by <a href="https://www.instagram.com/fintan_magee/">@fintan_magee</a> <br>In the artists words: <br>“This work depicts two rail-workers behind beveled glass. The Artic glass pattern in the painting was common in middle-class Queensland homes in the 1960’s and was used in French doors and windows. Some of my earliest memories of Queensland Architecture was my fathers silhouette through the glass doors when he got home. <br>The work explores the role of de-industrialization in urban communities and on the suburban fringes of Australia. The figures in the mural appear distant, disconnected, isolated and breaking up. As middle class homes become increasingly out of reach for working class Australians and lower-pay and job insecurity continues to shape how we work, this painting explores how nostalgia shapes political views and how workers view their communities and the outside world.<br>The works specifically looks at two rail workers from the city of Ipswich. As Queensland was in lockdown, many people in management or admin roles were able to isolate, while many essential, transport, delivery and medical staff continued working. Keeping our economy functioning and food supply moving. This painting pays tribute to these essential workers while proposing a reassessment of how they are valued in the post COVID-19 world.”<br>....................................................<br>A phenomenal piece by <a href="https://www.instagram.com/fintan_magee/">@fintan_magee</a>for <a href="https://www.instagram.com/bsafest/">@bsafest</a> <a href="https://www.instagram.com/ipswichfestivals/">@ipswichfestivals</a> <br>📍Gordon Street, Ipswich, QLD<br><a href="https://www.instagram.com/explore/tags/fintanmagee/">#fintanmagee</a> <a href="https://www.instagram.com/explore/tags/bsaf/">#bsaf</a> <a href="https://www.instagram.com/explore/tags/bsafest/">#bsafest</a><a href="https://www.instagram.com/explore/tags/ipswichfestivals/">#ipswichfestivals</a> <br><a href="https://www.instagram.com/explore/tags/streetartcities/">#streetartcities</a> <a href="https://www.instagram.com/explore/tags/streetartcitiesapp/">#streetartcitiesapp</a> <br><a href="https://www.instagram.com/explore/tags/streetphotography/">#streetphotography</a> <a href="https://www.instagram.com/explore/tags/streetart/">#streetart</a><a href="https://www.instagram.com/explore/tags/streetartistry/">#streetartistry</a> <a href="https://www.instagram.com/explore/tags/brisbane/">#brisbane</a> <a href="https://www.instagram.com/explore/tags/visitipswich/">#visitipswich</a><a href="https://www.instagram.com/explore/tags/discoveripswich/">#discoveripswich</a> <a href="https://www.instagram.com/explore/tags/streetartaustralia/">#streetartaustralia</a><a href="https://www.instagram.com/explore/tags/streetarteverywhere/">#streetarteverywhere</a> <a href="https://www.instagram.com/explore/tags/streetart_daily/">#streetart_daily</a><a href="https://www.instagram.com/explore/tags/graffiti_n_wallart/">#graffiti_n_wallart</a> <a href="https://www.instagram.com/explore/tags/tv_streetart/">#tv_streetart</a><a href="https://www.instagram.com/explore/tags/rsa_streetart/">#rsa_streetart</a> <a href="https://www.instagram.com/explore/tags/jj_urbanart/">#jj_urbanart</a><a href="https://www.instagram.com/explore/tags/streetartchat/">#streetartchat</a> <a href="https://www.instagram.com/explore/tags/igersbrisbane/">#igersbrisbane</a><a href="https://www.instagram.com/explore/tags/urbanvibescommunity/">#urbanvibescommunity</a> <a href="https://www.instagram.com/explore/tags/thegraffitihub/">#thegraffitihub</a><a href="https://www.instagram.com/explore/tags/brisbane_street_art/">#brisbane_street_art</a><a href="https://www.instagram.com/explore/tags/dkjstreetartphotography/">#dkjstreetartphotography</a></div><div><br></div><div><br><br></div>

‘Two figures behind Glass’ 

@fintan_magee

<div>A classic piece ‘Head In The Clouds 2’ by Fintan Magee @fintan_magee info below via @explorefishlane&nbsp;<br>“Fintan designed the piece as homage to the industrial aspects of Brisbane history. The large-scale mural sits across from The Fox Hotel, on the opposite corner of Fish Lane and Hope Street. It depicts a woman with her face hidden behind clouds of fabric – inspired by discarded cloths found in the abandoned Rocklea Spinning Mills. Paying tribute to an earlier work of Magee’s, the mural represents the de-industrialisation of the South Brisbane area as factories and warehouses disappear, and the face of the area changes.”<br>📍 Hope Street, South Brisbane&nbsp;<br>#fintanmagee #fintan_magee #explorefishlane&nbsp;<br>#streetartcities #streetartcitiesapp&nbsp;<br>#streetphotography #streetart #streetartistry #brisbanestreetart #brisbane #brisbaneanyday #visitbrisbane #discoverbrisbane #mybrisbane&nbsp; #streetartaustralia #streetarteverywhere #streetart_daily #graffiti_n_wallart #tv_streetart #rsa_streetart #jj_urbanart #viewsofbrisbane #streetartchat #igersbrisbane #urbanvibescommunity #thegraffitihub</div>

Head in the clouds 2

<div>This mural was painted for WeAart 2014 and shows a man crawling with a heavy load of a child and gasoline can on his back.<br>This piece is based on the iconic painting ‘The Flower Carrier’ by Diego Rivera.<br><br></div>

"The Pyramid"

<div>Fintan Magee created this mural for KUNSTLABOR in Munich.<br><br>- KUNSTLABOR - 50 Artists - 50 Experiments - 5000 m² Art -<br><br><br>"With the opening of the KUNSTLABOR, the Museum of Urban and Contemporary Art (MUCA) reveals one of the largest art projects in Munich<strong>. </strong>In the absence of the public and hidden behind the façade of the former Tengelmann headquarters in Landsbergerstrasse 350, artists of urban and contemporary art have been working for several months on their individual „spatial experiments“. The numerous relics of the former office complex serve as inspiration and backdrop for their works; mouse-grey wallpapers became canvases, files turned into sculptures, and office cabinets into installations – spray painted, drawn, hammered and artistically realized on several floors.[...] Now the KUNSTLABOR and its artists are ready to present themselves and take visitors on a voyage of discovery through this unique art project from 13 October before the building gives way to a new development."<br><br>- 13th. Oct - 30th. Dec. 2018 -<br><br>UPDATE:<br>The mural is no longer present due to the demolition of the house</div>

The impossible hug

<div>Nicknamed the "Australian Banksy", Fintan Magee plunges into the world of graffiti at the age of 13. In 2010, he moved away from traditional “graffiti” to favor the creation of large frescoes in which he skilfully mixes the violence of reality with the sweetness of dreams. These works challenge, mark and question. <strong>&nbsp;</strong>In its surrealist universe, art only serves to reinvent reality. His creations explore the themes of waste, consumption, loss, transition and the environment. Over the past few years he has consolidated his position among Australia's leading public artists and has traveled extensively, including London, Berlin, Los Angeles, Kiev, Atlanta, Buenos Aires, Copenhagen, Moscow, Rome and Paris.<br><br><a href="https://www.ville-boulogne-sur-mer.fr/street-art/project/fintan-magee/">Discover Fintan Magee</a></div>

<div><strong>Fintan Magee</strong> is one of the most uprising artists of contemporary painting. <br>What makes him special is his combination of Street Art and Expressionism and that is what we get, facing <strong>"Boyhood". </strong>Fintan is known for his way of creating art. He gets inspired by people and topics that face the world (immigration, nature, politics etc.). In his mindset, everybody has a story to tell, so people are the perfect "object" to include in his works. His Mural for the<strong> ArtWalk-Saarbrücken </strong>is a time travel to a journey to the Libanon. There he took a picture of a boy playing with bow and arrow and for the wall in Saarbrücken, he changed&nbsp; it just a bit. A boy from Saarbrücken had to pose for the same picture - and then he drew him! Simple and perfect!&nbsp;</div><div><br>Just a short side information. It took a while getting the right spot and wall, because the condition of the wall was bad in the first place. But in the end it worked out and is one of the most impressive murals of the <strong>ArtWalk-Saarbrücken</strong>.&nbsp;</div><div><br></div><div><br>Take a closer look and see how he incorporated the old advertisement into his mural. Pure Love!&nbsp;</div>

Boyhood

<div>"Painted in the context of the Trump presidency, brexit and the rise of Le Pen and other far right figures in Europe this piece acts as a protest against Trumpism and those who wish to build walls and divide us." <em>Fintan Magee<br></em><br>Created for Nuart Aberdeen 2017</div>

The Broken Wall

Australian Silo Art Trail

<div>Patchewollock is the fourth silo in the Australian Silo Art Trail and the second to be painted in the Wimmera-Mallee in Victoria. It’s always been one of my favourite silos as I love the rich colours in this one and the story behind it also.</div><div><br></div><div>The Patchewollock Silo was painted by a Brisbane artist by the name of Fintan Magee.&nbsp; For inspiration for his silo mural and to get to the know the people of the area, Fintan booked a room at the local pub so he could mix among the local community.</div><div><br></div><div>It wasn’t long before he met the subject for the Patchewollock Silos. A hard working lanky local by the name of Nick “Noodle” Hulland who exemplified the no-nonsence, hardworking spirit of the region.</div><div><br></div><div>This twin silo was built in 1939 and was transformed in late 2016 and now portrays the classic Aussie farmer wearing a blue “flanny” shirt.</div>

Patchewollock Silo Art

<div>Mural created for @pangeaseed and #seawalls; a project aiming at raising awareness of overfishing and the importance of ocean conservation.</div>

Hunger

<div>Encumbered by the nozzle of a vacuum cleaner, this piece illustrates the portrait of a mentally ill man puzzled by his current state, holding a bird cage and his head buzzing with bees. This was the first artwork commissioned for the TWT Creative Precinct in St Leonards, which has since seen an extension onwards.</div>

Domestic Bliss

<div>This work captures the happenings in the housing market in Sydney around 2015. The property prices rose a massive 9.8% and due to this many young people are priced out of an area they have been living in for years. This artwork depicts a young creative couple, Rob and Renee, locals living in a warehouse. Due to gentrification of the area, they live in fear of losing their rental warehouse home and losing the Australian dream of owning your own home. Commissioned through&nbsp;<strong>Perfect Match</strong>.</div>

Housing Bubble

<div>Watercolour painting representing the Brisbane floods of 2011. Queensland Rail trains are seen afloat in the boat with graffiti, one of them with Sofles.</div>

Brisbane Flood Refugee Boat

Numskull

<div>Originally an archer which was painted over after nine months, this collaboration of phone wires and abstract shapes merges abstract and figurative.</div>

Woman With Telephone

<div>A woman stands with a broom in hand, ready to sweep through the land of linen. She is accompanied with grasshoppers as she contemplates her move.</div>

The Clean Up

<div>Featuring a nomad on a grey horse traversing through the river, passing a background of red trees and a house on stilts. Commissioned for Rallis Timber, pictured in the distance is another wooden house. The houses represents the history and function of the Rallis Timber on which the wall is painted.</div>

The Settler

<div>Commissioned by Stockland Wetherill Park for the Own the Moment Public Art Series. Along the wall of The Parks Occasional Child Care Centre, the artwork is filled with vibrant imaginary elements such as flying fish and a book. An expression that is fondly lost while growing up, the ribbon clings to those who are in tune with their creative and curious minds.<br><br></div>

<div>Large-scale artwork in an alley over four stories tall.</div>

The Torch Carrier

<div>This artwork portrays a blindfolded man hanging from a large albatross, with a tattered cape detaching against the backdrop of a blue sky.</div>

Discovering Flight

Levitate

<div>Self-portrait of the Australian painter.</div>

Self-Portrait

<div>Fintan Magee (Australia) painted this mural on the wall of a building in Papeete opposite the Paofai clinic.</div>

Fintan Magee in Papeete

<div>A wall of over 16 meters on an Ater building in Via Cristoforo Numai, painted on the occasion of the artist's personal exhibition at the Varsi gallery, in collaboration with the Muracci Nostri collective, already very active in the neighborhood. Titled "The Roadkill", the work depicts a little girl holding up a large deer head. As often happens in the artist's poetry, inspiration comes from his childhood memory. "I was very impressed - said Magee - from a story that my neighbors told me when I was 7. They told me they had hit a deer. I didn't know there were these animals in Australia. My mother explained to me that they had been introduced by the Europeans and they were a plague: they carried diseases and devoured the plants on which the kangaroos were fed. But despite everything - he concludes - I could not fail to feel sorry for such beautiful animals ".</div>

 The Roadkill

Titanes

<div><a href="https://iamtitanes.com/silo/herencia/?lang=en">Australian Fintan Magee </a>painted on three sides of the silo, two of the local social workers and one <br>members of Laborvalía who works with them. It’s another example of the inclusion of people with <br>disabilities who have again actively participated in the artistic intervention on the silo.<br><strong><br>Titanes is a project to promote social inclusion through art by creating a public art museum of top international artists on silos in the province of Ciudad Real.</strong><br>The artist Okuda San Miguel and his Ink and Movement team will once again work with the Laborvalía association to support the integration of people with disabilities in society and in the workplace. This is the big idea behind Titanes, one of the biggest artistic initiatives for social inclusion carried out to date. More than 450 members of Laborvalía will participate in the project, sharing different activities with the artists.</div><div>Backed by the Provincial Government of Ciudad Real, Titanes aims to be exemplary in making progress through art and to pay homage to all those who work day after day to make social inclusion a reality.</div><div><br></div>

House of Giants

<div>Fintan Magee is known for his large-scale murals, that mix surreal and figurative images, deeply related to the urban environment. His care, technical skill and progressive approach to painting has been setting his reputation as one of the main Street Art and Contemporary Muralism figures worldwide. His mural “Head in the Clouds” spreads the message on how life can be tough to young people that live far away from big cities and better life opportunities.</div>

"Head in the clouds"

Walking in a Circle

<div>A floating couple embrace, high on a wall. there are another 4 murals in the immediate area.<br>For the Upper West Side project curated by Juddy Roller</div>

<div>This beautiful portrait pays tribute to Naomi Mayers, a Yorta Yorta/Wiradjuri woman who was one of the founders of the first Aboriginal community controlled health services in Redfern. Ms Mayers is also the longest running female CEO in Australia as well as being a member of the all female Aboriginal band in the 1960's.</div>

Naomi Mayers

<div>The 1 st mural done by Fintan Magee in France for the Wall street art event curated by Mathgoth gallery at Paris ,where the artist done his last exhibition named Waves </div>

Follow the leader

<div>For Out In The Open 2019, curated by Kirk Gallery.</div>

Structure

Balancing act

<div>Wall painted by Fintan Magee during No Limit Street Art Borås 2017. More information about No Limit, <a href="https://www.nolimitboras.com/language/en/">here</a>.<br><br>Fintan Magee is a muralist based in Sydney Australia. Born in 1985 in Lismore NSW to an architect mother and father who was a sculptor, he started drawing at a young age and became involved in the Australian graffiti scene at the 13. Moving away from traditional graffiti in 2010 his large-scale paintings often inhabit the isolated, abandoned and broken corners of the city. Drawing from personal experience and the mundane his figurative paintings are deeply integrated with the urban environment and explore themes of waste, consumption, loss, transition, and the environment and his works contain a sentimentality and softness influenced by children’s books and the Low Brow art movement.<br><br></div><div>He has solidified his position as one of Australia’s leading public artists and has traveled extensively, completing projects in London, Vienna, Los Angeles, Miami, Atlanta, Buenos Aires, Copenhagen, Moscow, Rome and Dublin amongst others.<br><br></div><div><strong>More information about Fintan Magee</strong><br><a href="http://www.fintanmagee.com/">fintanmagee.com</a><br><a href="https://www.instagram.com/fintan_magee/">instagram.com/fintan_magee</a><br><a href="https://www.facebook.com/fintanmageeart">facebook.com/fintanmageeart</a></div>

The long wait

Remembering Clouds

Pray for rain

<div>Surreal and figurative woman floating. Australian artist who explores themes of waste &amp; consumption, loss, transition, and the urban environment.</div>

Untitled 

untitled 

The Gardner

<div>Australian artist Fintan Magee painted this in March '15 in the Scenic Southern Cross Hotel carpark. Fintan has used three local children as subjects for this artwork.&nbsp;</div>

Chasing the thin white cloud.

Guldensporenlaan (2016)

<div>2 Murals for Living Walls 2014</div>

<div>"The October 2017 California wildfires were a series of 250 forest blazes that burned across the North of the State. 44 people lost their lives in the fires while over 6000 structures were destroyed and hundreds of thousands acres of forest and farm land were incinerated. With 7 of the 10 largest fires in California occurring in the last 15 years, many scientists are now pointing to climate change as one of the major factors behind the increase. During the incident more than 10,000 firefighters battled the blaze, with crews arriving from as far away as Canada and Australia.<br><br>This work is an animated portrait of a firefighter from the region, he is depicted holding a co-worker’s helmet as a single flower grows from it. This work acts as a monument to the firefighters who have died in the line of duty while also commenting on the cycles of life, death and regrowth after forest fires.&nbsp;<br>The work is located on the train line in the Napa Valley’s Rail Arts district and consists of 14 hand-painted portraits. The work is designed so that each portrait acts as an animation cell. As the viewer passes the wall at speed on the train, the work animates, giving the portrait life and movement."&nbsp;</div>

Tribute to Northern California Firefighters

KNARF

<div>ANNA RIZATDINOVA - Ukrainian gymnast, was born in Crimea, the bronze medalist of the Olympics in Rio de Janeiro, world champion in the exercise with a hoop, multiple prizewinner of the World and Europen championships.&nbsp;</div>

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