I am a painter and muralist, and for over ten years I have been developing a body of work at the intersection of calligraphy, geometry, and floral ornamentation. Initially trained in calligraphy, through a rigorous approach to gesture and structure, I gradually deconstructed writing in order to extract an autonomous visual language, freed from text and anchored in materiality. My work is inspired by ancient knowledge and by civilizations that understood art as a universal language connecting humanity, nature, and the cosmos. Through complex geometric compositions and deliberately weathered surfaces, I explore notions of memory, the passage of time, and invisible heritage. Whether through easel paintings or large-scale murals in public space, my work is distinguished by a non-decorative approach to pattern, conceived as a trace — a contemporary vestige that invites slowing down and contemplation