<div>ARTgia is a space of creation and exhibition. In permanent construction, blank, flexible, where everything can happen. The goal of ARTgia is to promote the conditions to create. A place that is a catalyst, where exchanges, dialogues and experimentation arise with creativity as a basis and contemporary creation as an end.<br><br>Sorgunea &amp; Gallery<br>We place creativity, research, experimentation, innovation and artistic diffusion in a central position.<br><br><br>Murals - Transforming muralism<br>The transformative muralism is based on participatory muralism ... to improve it and change the way we understand what surrounds us. People become generators of such change and become part of new creative communities.<br><br>Artistic installations<br>From ARTgia we perform artistic installations performances and happenings for events or events such as talks, colloquiums, symposiums, galas….<br><br>Strategic lines<br><br>Gender<br>ARTgia sorgune &amp; aretoa is committed to this objective and is committed to favoring the development of women's autonomy and empowerment and gender awareness and promoting the change of values ​​by eliminating sexist roles and stereotypes and prejudices regarding diversity and Gender identities also in the field of culture. Thus, gender is a transversal line to all its strategic lines.<br><br>The commitment from which this project is born is that of the visibility of the work of creative women. Show their processes, their ideas and developments and finally, disseminate the finished works generating new perspectives and bringing the scope of equity between women and men within the studies, institutions and current artistic discourses.<br><br>Support to emerging artists<br>ARTgia sorgune &amp; aretoa proposes a space and context conducive to work in dialogue, allowing artists and creators from different backgrounds to develop projects and processes of experimentation and research around art and creativity. The richness of the interaction will be in the dialogues, articulations and works together.<br><br>The project has as one of its main purposes to focus on the promotion and development of art and emerging contemporary artists to promote creative activity, facilitate its promotion and dissemination of its work, while promoting its incorporation into the professional field. That is to say, it bets on the professionalization of the artists and the sector, favoring the cultural exchange between young creators of diverse origins and formations, understanding mobility as an incentive for professionalization, promoting its suprautonomic, national or international projection.<br><br>Basque language<br>ARTgia sorgune &amp; aretoa is committed to the use of Basque as a vehicle language. That is why one of his first decisions was to join the Bai Euskarari network where he obtained the Zerbitzua Euskaraz Accreditation Seal that attests to the ability to offer all his services in Euskara.<br><br>ARTgia sorgune &amp; aretoa thus joins the measures undertaken by the Basque Government in its General Plan for the Promotion of the Use of Euskera and its Euskara initiative 21. This project is born, therefore, with the vocation of being an asset in the promotion of use of Basque from the district of Judimendi, from the sociolinguistic reality of Vitoria - Gasteiz.<br><br>Innovation for social transformation<br>The concept of innovation is closely associated with development, the improvement of the economy or the increase in efficiency and profitability of organizations or companies, innovation in both products and processes is considered a necessity in the world of the 21st century. ARTgia sorgune &amp; aretoa is committed to applying social innovation as a transversal line to the project. For applying innovation for social transformation to art and culture.<br><br>It tries, in short, to promote, through contemporary art and artistic practice, a cultural change that enhances values ​​linked to education, equality, diversity, participation or social responsibility of organizations and each person. These ideas are social both in the results and in the media and can generate genuine innovations or improved solutions of those already existing from our environment, from our reality.</div>

ARTgia sorgune & aretoa 

<div>Orbain Kultur Elkartea, first association for the study, conservation and dissemination of Punk Rock<br><br>Iker Zubia, president, said that «we are born to deepen the cultural, political and social legacy of punk rock in Euskal Herria, to advance its recognition. We are going to work so that Sebastian Iradier or Donnay is recognized as due to Scar, Eskorbuto or the RIP ”<br><br>Gasteiz has since yesterday a new cultural association, called Orbain Kultur Elkartea. In the opinion of its members, it is "a breath of fresh air," as its members explain.<br>Orbain is based in Bruno Villareal Street "where we have been developing our activities for some months", specifically since July. "Since then we have held about 15 concerts, theaters and a talk," they explained.<br>The objective of this cultural association is “to give a new impulse to the culture in Gasteiz, a new impulse from below, a new impulse from self-management,” explained Ana Andino, a member of the association. “Technically, we have come together to promote the study, conservation and dissemination of punk, rock and alternative music in general. But also of the historical and cultural circumstances that surround them in Euskal Herria ”. Andino stressed that “yes, we are born to study and deepen the cultural, political and social legacy left by bands like Eskorbuto, RIP, or La Polla Records. To continue vibrating with what they left us, Scar, Cock Sparrer, Sex Pistols, Potato or Ramones. Punk Rock but also metal, dead metal or heavy. We are born to continue sowing this seed in Araba, in Euskal Herria and that is why we have created the first cultural association for these purposes. We are born to advance their recognition", he added.</div>

Orbain kultur elkartea

Vitoria-Gasteiz

Inaki Landa

Izar

Zaramaga 04

Super izar

Unknown 

<div><br><strong>Errekaleor</strong> is a neighbourhood on the periphery of <a href="https://en.m.wikipedia.org/wiki/Vitoria-Gasteiz">Vitoria-Gasteiz</a>, in <a href="https://en.m.wikipedia.org/wiki/Basque_Country_(autonomous_community)">Basque Country</a>, <a href="https://en.m.wikipedia.org/wiki/Spain">Spain</a>. It sits on the plateau created by the Errekaleor river, which is part of the <a href="https://en.m.wikipedia.org/wiki/Green_Belt_of_Vitoria-Gasteiz">Green Belt of Vitoria-Gasteiz</a>. From 2013 onwards, the area was <a href="https://en.m.wikipedia.org/wiki/Squatted">squatted</a> and became known as <strong>Errekaleor Bizirik</strong> (<em>Errekaleor Lives</em>). The project is based on the principles of workers' self-management (<a href="https://es.wikipedia.org/wiki/Autogestión">autogestión</a>), <a href="https://en.m.wikipedia.org/wiki/Consensus_decision-making">consensus based decision making</a>, <a href="https://en.m.wikipedia.org/wiki/Feminism">feminism</a>, <a href="https://en.m.wikipedia.org/wiki/Anti-capitalism">anti-capitalism</a> and <a href="https://en.m.wikipedia.org/wiki/Basques">Basque</a> cultural re-invigoration. The neighbourhood is the largest occupied space on the Iberian Peninsula, with over 10 hectares of land and 150 inhabitants. Residents include children, the elderly, blue-collar workers, the unemployed, students, and teachers. The project includes an organic farm of 2 hectares, a bakery, a bar, a social centre, a library, a theatre, a free shop, a recording studio, and other projects.</div>

Katua

Extralargos

Zaramaga 05

IMVG

Muxua

Jeim

Sebas Velasco

Take this

Duda X

Various Artists

Cadeneta

Unknown 02

Jurassic Walls

<div>Welcome mural.&nbsp;<br>&nbsp;<strong>Errekaleor</strong> is a neighbourhood on the periphery of <a href="https://en.m.wikipedia.org/wiki/Vitoria-Gasteiz">Vitoria-Gasteiz</a>, in <a href="https://en.m.wikipedia.org/wiki/Basque_Country_(autonomous_community)">Basque Country</a>, <a href="https://en.m.wikipedia.org/wiki/Spain">Spain</a>. It sits on the plateau created by the Errekaleor river, which is part of the <a href="https://en.m.wikipedia.org/wiki/Green_Belt_of_Vitoria-Gasteiz">Green Belt of Vitoria-Gasteiz</a>. From 2013 onwards, the area was <a href="https://en.m.wikipedia.org/wiki/Squatted">squatted</a> and became known as <strong>Errekaleor Bizirik</strong> (<em>Errekaleor Lives</em>). The project is based on the principles of workers' self-management (<a href="https://es.wikipedia.org/wiki/Autogestión">autogestión</a>), <a href="https://en.m.wikipedia.org/wiki/Consensus_decision-making">consensus based decision making</a>, <a href="https://en.m.wikipedia.org/wiki/Feminism">feminism</a>, <a href="https://en.m.wikipedia.org/wiki/Anti-capitalism">anti-capitalism</a> and <a href="https://en.m.wikipedia.org/wiki/Basques">Basque</a> cultural re-invigoration. The neighbourhood is the largest occupied space on the Iberian Peninsula, with over 10 hectares of land and 150 inhabitants. Residents include children, the elderly, blue-collar workers, the unemployed, students, and teachers. The project includes an organic farm of 2 hectares, a bakery, a bar, a social centre, a library, a theatre, a free shop, a recording studio, and other projects.</div>

Bizikleteroak

Irantzu Lekue

<div><br><br>The opening ceremony served as a tribute to Gregoria “Goya” Fernández de Landa and Maritxu Paiueta “for their contribution to the people”. Both are protagonists in the mural.</div><div><br></div><div>The name Kakiturri comes from the state in which the source was found</div><div><br></div><div>GASTEIZ. Basque artist and muralist Irantzu Lekue has presented her latest project in the Ali - Ehari Square. A place that maintains the essence of a town with two gastronomic societies, a bowling alley and a landscape surrounded by “eras and portegaus”, part of the iconic landscape of Alava. The years, on the other hand, have changed the environment and what were once "pieces or work plots" have become huge buildings of histrionic architecture, explains Joaquín Landa, a neighbor of Ali "pueblo". One of these plots is the one occupied, for example, by Goya Fernández de Landa's cows. "They walked until later in the Palace, where they had a campaign," they explain. All until in the 90s, the crisis and European laws forced the majority of dairy farms in the territory to be closed, they explain. Goya Fernández de Landa has been precisely one of the honorees at the opening ceremony of this new project by Irantzu Lekue. Along with her, Maritxu Paiueta was also honored "founder of the Day of the village women," says Andoni Gomez, "Tazo".</div><div><br></div><div>Paiueta and Fernández de Landa share the limelight in a mural of more than 15 meters long that covers the town of Ali. “It is curious the feeling of belonging that exists here, to the roots, to the people. In the participatory process, 95% of the contributions have revolved around their traditions, values. Basically I think it is an exercise in collective memory. To know where the people come from to define where they are going. Naomi Klein said that you have to go to the roots, get to know them, locate yourself on the map. That is precisely what the people of Ehari have decided to do, "explains the muralist Irantzu Lekue. The work together with the ARTgia team -formed only by women- with the artists Alba Tojo and Rebeca Urizar. Between the three of them they have painted this huge wall within the #GoraBrotxak program, which has had the help of the Youth program of the Vitoria - Gasteiz City Council. “We are specialized in developing this type of projects that combine art with citizen participation, gender perspective and Basque. Actions where we bring art to the street ”, stresses Lekue.</div><div><br></div><div>It is the first time that a mural has been developed in the village of Ali. "The wall was very ugly. It was sad. They have cleaned it up, painted it and greatly improved the image when entering the town. I am very happy ”, explains Angel Zabala, Ali's neighbor. Virginia Expósito thinks similarly, who underlines “the great work of the artists and the result: it is what we wanted. They have shaped our ideas, our town on a wall that was dilapidated, that they filled with graffiti and have turned a no place into a very pleasant place ”“ All this also involving the children who have helped in the beginning of a beautiful mural that It allows us to see the past and present of the municipality with a historical and gender perspective ”, adds Andoni Gomez“ Tazo ”, Mayor of Ali.</div><div><br></div><div>United Nations</div><div><br></div><div>Irantzu Lekue explained that in Ali, “the idea has been to put the concept of learning by doing into practice. Internalize the concept while carrying out the action ”, he stresses. "We have implemented our techniques of citizen participation and our commitment to improve aesthetics but also socially, creating bridges and using art as a vehicle for social transformation," he stresses. Irantzu Lekue explains that he has developed these concepts using the experience “and level of conceptualization” acquired in March in Geneva, during his stay at the United Nations headquarters with Unesco Etxea.<br>They attended the UN Human Rights Council where they attended the 37th session of the United Nations Human Rights Council.</div>

Ehariko emakumeak

Unknown

Tienda Surf

Untitled

Pakillo

Hermanos Unzalu

El 10

Bodeguilla Araba

Zaramaga 13

La luz de la esperanza 

K. Warner

The Cat

Cap one

Super

Brooklyn

Eskuz esku

Kap one

Zaramaga 07

Brenan Duarte

Landazabal

V. Werkmister

<div>The impressive mural that occupies the facade of a nine-storey building on Reyes de Navarra street has been visible for days in the Zaramaga neighborhood of Vitoria. But it will be late when this "Memory Board" is inaugurated, which wants to keep alive the tragic events of March 3, 1976 that resulted in five dead strikers and more than 150 wounded by the police.&nbsp;<br><br>The work is part of the Vitoria-Gasteiz muralistic itinerary and more than 30 people have collaborated in its realization. The Victims Association of March 3 considers that the immense painting contributes to advancing in the "transmission, socialization and visibility" of those events, and that at the same time it is "a spectacular contribution to keep alive the memory and spread the dignity of a struggle led by the working class of Vitoria in 1976 ”. Furthermore, "it is an injection of force to continue working on the demand for truth, justice, reparation and guarantees of non-repetition," they point out from the association.</div>

Martxoak 3

Vending

I hate nazis

Haurtzaro

Graff & beers

Zaramaga 10

Messie Escribá

Itziar Plaza

Emakumea eta kartzela

Zaramaga 08

Debza

Zaramaga 09

Mugimendu feminista

Ekin borrokari

Unknown 03

Abakki

<div><strong>Errekaleor</strong> is a neighbourhood on the periphery of <a href="https://en.m.wikipedia.org/wiki/Vitoria-Gasteiz">Vitoria-Gasteiz</a>, in <a href="https://en.m.wikipedia.org/wiki/Basque_Country_(autonomous_community)">Basque Country</a>, <a href="https://en.m.wikipedia.org/wiki/Spain">Spain</a>. It sits on the plateau created by the Errekaleor river, which is part of the <a href="https://en.m.wikipedia.org/wiki/Green_Belt_of_Vitoria-Gasteiz">Green Belt of Vitoria-Gasteiz</a>. From 2013 onwards, the area was <a href="https://en.m.wikipedia.org/wiki/Squatted">squatted</a> and became known as <strong>Errekaleor Bizirik</strong> (<em>Errekaleor Lives</em>). The project is based on the principles of workers' self-management (<a href="https://es.wikipedia.org/wiki/Autogestión">autogestión</a>), <a href="https://en.m.wikipedia.org/wiki/Consensus_decision-making">consensus based decision making</a>, <a href="https://en.m.wikipedia.org/wiki/Feminism">feminism</a>, <a href="https://en.m.wikipedia.org/wiki/Anti-capitalism">anti-capitalism</a> and <a href="https://en.m.wikipedia.org/wiki/Basques">Basque</a> cultural re-invigoration. The neighbourhood is the largest occupied space on the Iberian Peninsula, with over 10 hectares of land and 150 inhabitants. Residents include children, the elderly, blue-collar workers, the unemployun employed, students, and teachers. The project includes an organic farm of 2 hectares, a bakery, a bar, a social centre, a library, a theatre, a free shop, a recording studio, and other projects.</div>

Eskuz esku II

<pre>"Here you come to surprise you." With this forceful letter of introduction, brothers Unai and Patxi Fernández de Retana direct 'El Clarete' (1 Sol Repsol), in the center of Vitoria-Gasteiz. A commitment to seasonal products and a winery where even the most knowledgeable always discover something new.

Do not look for the letter on the table, nor wait for a waiter to bring it to you. At the restaurant 'El Clarete', the menu is a surprise that you will discover with the succession of dishes that come out of Unai's kitchen, "where the best of the Basque pantry is recreated", as they recognized him when choosing him the best restaurant alavés from 2017. "We like the diner to have a pleasant and fun time during the meal, but also to leave with the pleasure of taking a supplement of amazement in what he eats and drinks," says the chef.

Unai, in the kitchen of his restaurant.
Unai, in the kitchen of his restaurant.
In 1998, when Unai took her first steps through the kitchen and Patxi had just returned from her tour of America, they received that call that changed their lives. The former owners of 'El Clarete' transferred them to that mythical place in the old part of Vitoria, where they drank wine in pots, txikiteos and hunting pintxos, and which had been transformed into a trendy bar in the 90s, with a door input and output one to avoid collapsing the flow of attendees.

The winery is the territory dominated by Patxi.
The winery is the territory dominated by Patxi.
"The future is in the past," says Unai, who uses the familiar and indigenous recipes to get that touch of novelty at home, such as the classic artichoke carpaccio from Ribera, black olives and salad, which they crush and serve with croutons. of celiac bread, ham, chives and soy dressings. That dish has gone from the tasting menu to the short offer at the bar at the entrance, "the other table", along with the canned antxoas or the housewife's mushroom croquettes, which perfectly combine with vermouth and muscat homemade, "that we make to our liking" in a small winery in Zaragoza.</pre><div><br></div>

El Clarete 

Zaramaga 12

Elisa Batiston

Paste up

V. Werckmeister

Al hilo del tiempo 

Aniztasuna

Cactus II

Zaramaga 11

Erreka 09

El triunfo de Vitoria-Gasteiz 

La noche más corta

Fillin

Estanco

Nicole Sagan

<div><strong>Errekaleor</strong> is a neighbourhood on the periphery of <a href="https://en.m.wikipedia.org/wiki/Vitoria-Gasteiz">Vitoria-Gasteiz</a>, in <a href="https://en.m.wikipedia.org/wiki/Basque_Country_(autonomous_community)">Basque Country</a>, <a href="https://en.m.wikipedia.org/wiki/Spain">Spain</a>. It sits on the plateau created by the Errekaleor river, which is part of the <a href="https://en.m.wikipedia.org/wiki/Green_Belt_of_Vitoria-Gasteiz">Green Belt of Vitoria-Gasteiz</a>. From 2013 onwards, the area was <a href="https://en.m.wikipedia.org/wiki/Squatted">squatted</a> and became known as <strong>Errekaleor Bizirik</strong> (<em>Errekaleor Lives</em>). The project is based on the principles of workers' self-management (<a href="https://es.wikipedia.org/wiki/Autogestión">autogestión</a>), <a href="https://en.m.wikipedia.org/wiki/Consensus_decision-making">consensus based decision making</a>, <a href="https://en.m.wikipedia.org/wiki/Feminism">feminism</a>, <a href="https://en.m.wikipedia.org/wiki/Anti-capitalism">anti-capitalism</a> and <a href="https://en.m.wikipedia.org/wiki/Basques">Basque</a> cultural re-invigoration. The neighbourhood is the largest occupied space on the Iberian Peninsula, with over 10 hectares of land and 150 inhabitants. Residents include children, the elderly, blue-collar workers, the unemployed, students, and teachers. The project includes an organic farm of 2 hectares, a bakery, a bar, a social centre, a library, a theatre, a free shop, a recording studio, and other projects.</div>

Sokos

Zaramaga 06

<div>Mural "Sena" by contemporary Basque artist Irantzu Lekue in the squatter neighborhood of Errekaleor (Gasteiz - Basque Country)<br><br>The squatter district of Errekaleor from Gasteiz opens a mural. It does so on the occasion of the anniversary of March 3 when the police killed five workers after the assembly held in the church in the neighborhood of Zaramaga. One of them, Romualdo Barroso, was a neighbor of Errekaleor. Therefore, the new mural remembers what happened and also makes a special mention to Salvador Puig Antich, Catalan anarchist and antifascist murdered by garrote vil on the morning of March 2, 1974.<br><br>Among the muralists and street artists who have left their works stand out Blu (Italy) known as the Italian Bansky, Tomás Facio (Argentina), Barricada Gráfica and El Yako (Chile), Ocu and Kerozen (Romania) or Nicole Salgar (USA), in addition to Irantzu Lekue herself. They have also painted on their walls Escif, Manolo Mesa, Zora and Juli; Andrea Btoy or The King of the Ruin. The origin of this alternative mural route, far from the traditional tourist circuit of the city, dates back to the settlement of the 'squat' movement where there were people with artistic concerns, who painted and wanted to express their messages through its walls. Over time, Errekaleor has been extending its invitations to world-renowned artists and the neighborhood has become a reference for lovers of urban art or street art.<br><br>IRANTZU LEKUE: Contemporary basque artist<br><br></div><blockquote><strong>The added value of the contemporary artist Irantzu Lekue is found in its dual artistic and social aspect. Her works tries to raise the viewers´ social awareness. To think about art and memory, about social injustices, about the importance of educating based on multiple intelligences, in a dynamic and creative way.</strong></blockquote>

Sena

<div>65-meter mural with women and mythology as axes<br><br>&nbsp; &nbsp;<br>Irantzu Lekue has coordinated a collaborative project included in the Haziak program<br><br><br>The Judimendi Park, together with Federico Baraibar, will premiere this Sunday a 65-meter-long mural, in a place steeped in History and symbolism. Cemetery of the Jewish community that settled in Gasteiz until the 15th century, it is also the place where the city celebrates the summer solstice, fire, magic.<br><br>A participatory mural project and social innovation, coordinated by Irantzu Lekue, which was born inspired by the work done by authors such as Jose Miguel de Barandiaran, Rosa Iziz, Félix Placer, Ana Iziz and, above all, from the texts and conversations between Lekue and the Alava writer Toti Martinez de Lezea, in addition to the visits that the artist has made to places such as Ekain, Zugarramurdi, Baltzola or Mairulegorreta, which have also been a source of inspiration for the achievement of this enormous mural located in the hitherto dark and abandoned wall of Calle Federíco Baraibar.<br><br>IRANTZU LEKUE: Contemporary basque artist. The added value of the contemporary artist Irantzu Lekue is found in its dual artistic and social aspect. Her works tries to raise the viewers´ social awareness. To think about art and memory, about social injustices, about the importance of educating based on multiple intelligences, in a dynamic and creative way.</div>

Ahoz aho

El Yako

Muralismo colaborativo

Tomas Facio

Samu mekanikoa

Free Erreka

Plaza

Ura gara

<div><br>#Turkey threatens to invade the Democratic Federation of Northeast #Syria.<br><br>Solidarity with #Rojava from the Squatted Neighborhood of Errekaleor (Basque Country).<br><br>#RiseUp4Rojava</div>

Rise Up4Rojava

V. Wercmister

Dragoiak

<div>They present the mural Ongi etorria in San Martin<br><br>This is the mural with the most participants to date: 425 students and teachers from the Public School, 25 elderly people from the residence, 20 volunteers and another 30 attached to different groups such as the Children's Elkargune or IRSE Araba.<br>It incorporates a QR code from which 100 songs "composed or performed by Araba musicians" can be heard. The list has been created by Sergio Torres, professor at KZ Gunea in collaboration with different agents linked to the music of the province.<br><br>GASTEIZ. San Martin Ikastetxea has inaugurated its new face. A 288-square-meter mural that has changed the face of Calle Adriano VI. There are hundreds of cars that pass by it daily and the already deteriorated brickwork that has worn all these years has given way to a new mural that has colored hundreds of participants. San Martin has celebrated it: with a massive party in which there has been lunch, corals, chocolate and even blues rhythms.<br><br>A month and a half ago, Irantzu Lekue and the ARTgia team started the project on site. By then they had already landed at the school through civic participation sessions in which the school community but also other cultural and social agents from the neighborhood participated. The idea they agreed on was to create a mural that would "have the purpose of opening windows to a new diverse society," explains Irantzu Lekue. It represents a hug between a mother and a child. "It has been the way of linking the Ajuria residence and the school, of creating an intergenerational prism, of putting older people with children to work from the zero minute," he says.<br><br>Different perspectives are represented within each of the motifs on the mural. Inside the window the Paseo de Los Arquillos, with children, young and old; in a nod to the place where the teacher Iradier, creator of La Paloma, lived. A current perspective of the Las Conchas park is represented within the child's body. Within the breast… two perspectives: that of Adriano VI Street in the past and another of the old factories that populated the area “to relate the past to the present, to find the roots of the place”. Other elements included in the perspective of the breast are the musical notes, the ducks of the nearby park and the Abendaño river that runs through the neighborhood and the old beer factory.</div>

Ongi etorria

David Tavarés

Azulejos 

Barricada gráfica

Txakurra

Fast

Beheko sua

Érase una vez un voluntario 

<div>We paint our ecofeminism walls together with Irantzu Lekue and ARTgia<br><br>SETEM Euskadi<br><br>Did you know that our Vitoria-Gasteiz headquarters has changed its appearance? If you still did not know, come closer and you will see that our walls are now talking… And it is because thanks to the Gasteiz artist Irantzu Lekue and the ARTgia team we have collectively painted a mural that has been left in sight of the Casco Viejo neighborhood of the capital of Alava.<br><br>This mural reflects the contents treated during the last year in a learning process around ecofeminism with Pandora Mirabilia. The objective has been to venture into ecofeminist thought and practice, and to learn about different experiences and areas where ecofeminism has developed.<br><br>To do this, we have explored the history, evolution, waves and currents of ecofeminism, learning about the multiple ecofeminist discourses and practices from different parts of the world. It has been an exercise that has allowed us to see the enormous diversity of a movement that tries to respond to social and environmental crises in relation to issues that affect the body and life of women.<br><br>It seemed important to us to share and disseminate all the keys and learning about ecofeminism, and that is why we made the mural in the heart of the Old Town of Vitoria-Gasteiz. We hope that it inspires and brings visibility to eco-feminist proposals!<br><br>www.iralekue.com<br>@iralekue</div>

Ecofeminism

En la cresta de la arruga

Maldanbera 

Azoka

Ojodekuervo

Frik

Zaramaga 14

Fonta & besteak

Matias Mata

Ariznabarra

Erreka 08

<div>Confecciones Pinedo debuts image. Generations of customers have passed through the historic establishment, opened in 1913, in search of a men's suit or a good women's garment.<br><br>«We saw that it was time to renew the image. The garage was full of graffiti, dark and the store also needed a new image, more cheerful, more colorful and more contemporary, "explains Josu Ruiz de Pinedo.<br><br>Thus, months ago they decided to contact the artist Irantzu Lekue who, after interviewing them, began to sketch what would later become the mural.<br><br>"I spoke with Josu, with Edelmira -the grandmother of the family- and with people linked to trade." Thus he began to sketch what the mural would later be.<br><br>«I wanted to give priority to the covers that are very characteristic and pictorially contribute together with typical elements that are what forge the character of the store.<br><br>They symbolize aurresku, welcome to the store in a way, "he explains.<br><br>«The truth is that I am very happy to work here, a unique store, very very special. And what would become of Vitoria - Gasteiz without places like the Alocén hat shop, La Unión or Confecciones Pinedo? » the artist asks.<br><br>www.iralekue.com<br>@iralekue</div>

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