<div>hallo I'm <em>Stefano Pilato – Livorno 1965</em></div><div>I<em> live and work in Tuscany in the field of visual arts.</em><br><em>Since 1987 I have been working freelance in the advertising profession, creating projects for public and private commissions.</em><br><em>Since 1993 I have developed the Fresh Fish artistic production.</em><br><em>Collecting everything anywhere especially wood found on the beaches while on a stroll.</em><br><em>I seek with self-denial and irony full of graphic-pictorial experiences, to give life to work that often portrays marine creatures.</em><br><em>My assemblages are filled with objects that have already lived that are regaining lost dignity after their primary use, exalting in their hidden aesthetics </em><br><em>by enhancing it in the assembling of a deep-sea fish or a white whale.</em><br><em>Always with the same principle of recycling, I also create installations, sculptures, lamps, mirrors, objects and more. For some years, as well as participating in the activities of various local art associations,&nbsp; I have collaborated with artists in the implementation of urban-scale installations that are assemblies of discarded objects. My work is made of research, intuition where sometimes instinctiveness prevails and sometimes the rationality inherent to my designer experience.</em><br><em>Everything, however, evolves into the pleasure of manual work, rich in extemporaneous solutions but also of the acquired method, constantly seeking new stimuli from the point view of an exhibition: </em><br><em>art galleries, museums, bookstores, restaurants and sometimes unlikely locations, but always feeling the importance of all the environments contaminated by my works.</em><br><em>Professional experiences are basically moments of contact and exchange for me, with the people I care about more than anything else.</em><br><em>From this point of view, I have been collaborating, in various forms, with the Department of Mental Health of the Local Healthcare Authority in Livorno, more specifically with the Blue Camel Social Cooperative for which I have conducted, among other things, a visual communication laboratory for psychiatric patients, promoting events, internships and training workshops on marginal art.</em></div>

PESCE FRESCO

<div>Uovo alla Pop is a cultural space of contemporary art focused on street-art.<br>Container of exhibitions, start-ups of experiential tours, street art festivals, training and social workshops.<br>Despite the pandemic situation, 2020 was a year full of events, tourism, wall paintings, benefit auctions, social projects, virtual exhibitions<br>including big names of the arts background.<br>Uovo alla Pop has been founded in 2017 after the winning of an announcement proposed by Region Tuscany, supported by the town council with the social aim of valorizing Piazza Garibaldi,&nbsp;<br>a local square center of hot issues.<br>Uovo alla pop was born thanks to the idea of a collective of four women&nbsp;<br>always active in the art sector:<br>Valeria Aretusi, Viola Barbara, Libera Capezzone, Giulia Bernini, they chose the egg as en elected symbol.<br>The gallery also hosts an architecture, design, art co-working space&nbsp;<br>and a trendy gadget shop.<br>Uovo alla Pop focuses its attention on Livorno, a city that has recently opened its eyes to street art: an impactful, social, welcoming and generous art that transforms the streets and the way to live and look at them.<br>In Livorno its career has just started hopefully passing all boundaries and moving around the world.</div>

Uovo alla Pop

Legal Wall 01

<div>Mercemarcia è uno spazio fisico poliedrico e liquido, concepito per dare voce e promuovere forme d’arte alternative.<br>Ospitiamo,curiamo ed organizziamo eventi culturali di vario genere come mostre, laboratori, presentazioni e performance musicali.<br>Mercemarcia non è nè una galleria nè un semplice contenitore per eventi, ma piuttosto un luogo dove si generano idee e si catalizzano energie, che nasce con l’intenzione di creare progetti duraturi che mettano radici sul territorio.<br>Crediamo nel gioco, nel confronto, nella diversità e nella socialità.<br>Mercemarcia è associazione culturale ARCI, un circolo per artiste/i e per tutte le persone interessate a forme artistiche e culturali che si generano dal basso.&nbsp;<br><br></div>

Mercemarcia

Livorno

MuraLi Diamo colore alla città

Rame 13

Immaginarsi il dopo

Zed 1

<div><a href="https://www.mura-li.com/en/">https://www.mura-li.com/en/</a><br><a href="https://www.facebook.com/zed1art/">https://www.facebook.com/zed1art/</a><br><br><strong>Marco Burresi</strong>, better known as <strong>Zed1</strong>, is a street artist born in the province of Florence who enriches the world with his murals with an unmistakable touch. Through a constant and varied development of his technique, Zed1’s style evolves consequently due to his activities as a writer, which leads him to paint walls and surfaces of all kinds. Puppets, elves, clowns, mermaids and other imaginary characters that form the base of his works and give life to creations in the twilight between the dreamlike and the surreal, in a dreamy and sometimes melancholic atmosphere.</div><div>&nbsp;</div><div><strong>The Work:</strong></div><div><strong>Zed1</strong> pays homage to the city of <strong>Livorno</strong> representing a bottled mermaid holding a narwhal in her hand symbolizing a corkscrew. The bottle is a clear historical reference to messages sent by sailors in ancient times. The deeper meaning of the work incites the observer to free himself from preconceptions and patterns in which we live: in fact the mermaid, whose head is still enclosed in the bottle, to be really free and let her ideas flow into the sea, she is forced to open the cork.&nbsp;<br><br>The fact that she still remains trapped without being able to get out, indicates that it is precisely her thoughts itself that are not yet free.</div><div>&nbsp;</div><div>The mural, carried out from the 1st till the 12th of July 2019, was possible thanks to the <strong>contribution and active participation of the citizens of Livorno</strong> and thanks to the support of <strong>MuraLi</strong>’s project partners:</div><div>&nbsp;</div><div><strong>Venpa GV3 – Sikkens Italia - NonSoloBagno - Comune di Livorno - Quartieri Uniti</strong></div><div>&nbsp;</div>

Stappati

Clet Abraham

No title

Lucamaleonte

<div>The Artist:&nbsp;<br>Lucamaleonte was born in Rome in 1983, the city where he lives and works.&nbsp;<br>After graduation from the capital's Central Institute for Restoration, the artist made his first works on the walls of Rome. The history of art and in particular classicism are a notable source of inspiration for the artist. Who over the years mainly linked his presence to images of plants and animals, because of his deeply rooted interest for the iconographic prints found in literature on zoology and botany. Re­markable is the passion for medieval bestiaries, an interest shared with Hitnes, a fellow Roman artist with whom he collaborated in the creation of Catalog (2013), a sample of plant species and fantasty animals painted on the walls of an underpass in Via delle Gonce in Rome. - currently repainted gray.&nbsp;<br>Animal shapes are often inserted within specular compositions that symbolically return a sense of ge­ometry and balance to nature, a sort of living parallel to the classic icosahedron, which often appears at the center of these works. In the last period Lucamaleonte proposes new solutions that provide for the temporary abandonment of the stencil in favor of a freehand painting, functional to the amplifi­cantion of the surface of his masonry works, even on entire facades.&nbsp;<br>The Mural:&nbsp;<br>Luca's intent is to 11catalog11 the animal universe. It is a representation of all the species of birds that populate Livorno and that continue to thrive thanks to the presence of vital green spaces, such as the small oasis of the Bosco dei Cappuccini.&nbsp;<br>Lucamaleonte1s 11Catalog11 mural represents the launch of the 11Bosco in citta11 initiative for the rede­velopment and enhancement of biodiversity, supported by the Murali Association, by the Municipality of Livorno, which for the occasion restored the perimeter wall and by the technical sponsors of the initiative: GV3 Venpa, Sikkens Color, Non solo Bagno and Piccolo Birrificio Clandestino.&nbsp;<br>The work is part of a broader redevelopment project, which involved children from the Carlo Bini Ele­mentary Schools and the students of the Colombo-Vespucci Art School in various activities within the park, with the aim of educating them to respect environment and increase their responsibility towards the nature and management of resources. The project, which took place between the end of 2019 and 2021, during the Covid crisis, was carried out with the extraordinary contribution of the Municipality of Livorno granted to the Murali Association in a network with other neighborhood realities such as Vivi Borgo, Lipu, Asa, Quartieri Uniti Eco-solidali, GreenCity Treks, the Carlo Bini Elementary School, the Colombo-Vespucci Art School, Studio Bonsai Livorno and Livorno Artistica.&nbsp;</div>

Catalogo

Yonel Hidalgo Pères

Tommaso Tocchini

<div>In front of the building, built during the second half of the 19th century, used to be a centuries-old holm oak grove, a park of a villa; outside the old Leghorn city centre there were other large green areas where prestigious residences were immersed, as well as urban gardens and orchards that in the middle of large city blocks later on infilled with new residential buildings. The decorative motif chosen is inspired by this theme, evoking those trees that only live in the community memories and old photographs and can now be seen again as if they were reflected in a virtual gate on this large wall.<br>This mural is a vertical band aligned with the concealed connecting section of two massings that make up the building; this wall of 1,400 square meters was not considered as a pictorial support: the painting is a definitive solution to improve the façade proportion, and the perceived massing, in relationship with the other elevations facing the same open public space in front. Originally this was a demising wall pierced by eight small lunettes, and barely visible because they were screened by the holm oaks grove; today it is the main facade of the square that replaces the grove destroyed to build an underground parking. Creating an art mural was the only option to reposition the building image back to the right proportions without distorting the composition which due to its original position is marked by essentiality. The natural themed painting reaches over 20 m from the ground and it is 4.5 m wide; it features a tree-lined gash to simulate the presence of trees between the two building blocks, or the illusion of a reflection of the former holm oak forest in front of it. The work was executed in consecutive phases from a temporary scaffolding and finished, once perceived in its entirety, with the help of a mobile elevating work platform.</div>

Com'era verde questa piazza

arnaud liard

<div><a href="https://www.mura-li.com/en/">https://www.mura-li.com/en/</a><br><br><a href="https://www.arnaudliard.com/">https://www.arnaudliard.com/</a><br><br><br></div><div>Arnaud Liard is an eclectic Parisian artist, who often applies different artistic techniques, thereby challenging the boundaries between several artistic disciplines.&nbsp;</div><div>&nbsp;</div><div>The works of Arnaud Liard feature his interest in architecture, urban environments and the subjects he has photographed since adolescence. As an eternal explorer, Liard continues his artistic career moving from figurative to abstract, following his inspirations, bringing them to reality with different styles and techniques.</div><div>&nbsp;</div><div>The Work:<br><br></div><div>The mural, entitled "L’âme de Montparnasse" honors the passing of Amedeo Modigliani, (1900), shaping a ‘fil rouge’ between Livorno - the place where Modigliani was born and raised – and the Parisian Montparnasse neighborhood, where Modigliani developed his creative genius, giving life to his most important works, in his unique and unmistakable style.&nbsp;</div><div>&nbsp;</div><div>The work takes its cue from one of the few photographic portraits of Modigliani that has survived to the present day.</div><div>&nbsp;</div><div>In the lower part of the wall, Paris’ historical literary café “La Rotonde” is referenced, which Amedeo used to frequent. La Rotonde was a meeting and exchange place for the most important artists, writers and leading figures of the time, including Diego Rivera, Max Ernst, Paul Gauguin, Ernest Hemingway, Gibran Khalil, Kandinsky, Henry Miller, the French poet André Salmon, Jean-Paul Sartre and Jean Cocteau, as well as the famous Russian exiles Lenin and Trotsky.&nbsp;</div><div>&nbsp;</div><div>The work was carried out from 5 to 15 November 2019 thanks to the contribution and participation of: So.Crem, the Municipality of Livorno and with the support of the technical partners of the MuraLi project: GV3, Sikkens Italia, Non Solo Bagno, Bonsignori Vernici.</div>

L’âme de Montparnasse

PAM GOGH

<div><a href="https://www.mura-li.com/en/">https://www.mura-li.com/en/</a><br><a href="https://www.pamelamarinelli.com/">https://www.pamelamarinelli.com/</a><br><br>"All the herbs painted on the wall are curative and the amazing of these plants is that they grow wild in the street. So we are living surrounded by medical plants that can help us to heal from lots of different kind of sickness<br>We just need to decide where to put our attention</div><div>I love to see and paint the tiny little things that are all around me!"<br><br><br><br><br><br><br><br><br></div><div><br></div>

Nature Heal

Oblo Creature

<div><a href="http://www.oblocreature.it/">http://www.oblocreature.it/</a><br><a href="http://www.uovoallapop.it/en/">www.uovoallapop.it</a><br><br>Giulia Bernini aka Oblo Creature is a resident artist of Uovo alla Pop gallery.<br>For SA.BA, beverage company she created the wall painting<br>'Pesce Specifico' a a surreal work that focuses on the importance of glass and its specific gravity in the environment.<br>In the wall painting, the glass bottles are like fish that swim as the bottles of SA.BA do. The famous local firm exists since 1996, it has deeply focused on the sale of glass products, with returnable vacuum, helping both environment and people habits, promoting the philosophy of glass, a clear and eco-sustainable lifestyle.<br>Thanks to her imagination the artist creates a marine cycle-recycling, where bottles return to be fish, delivery fish, glass with a vital specific weight, and as we read by the painting, a 'specific fish’.<br>Sponsor: Bonsignori vernici<br><br>Giulia Bernini, Oblo.<br>Co-founder of Uovo alla Pop Street Art and gallery.<br>Street and public artist where she signs as Oblo.<br>Designer of exclusive gadgets for the gallery (graphics + objects)&nbsp;<br>creator of Street Art workshops, projects and festivals related to street art, master of all graphics and communication.<br><br>Wall Paintings<br>Amici e Nemici del Mare - Acquario di Livorno 2017<br>Coriandolo, Maramazov, Kemp (with Libertà) Garibaldi district 2017<br>Agnes Varda Binario 10&nbsp; Viareggio 2019<br>Pesce Specifico Saba Bevande Livorno 2019<br>C.A.S.A Case popolari a S. Romano 2020<br>A tutto tondo Duemani az. agricola di Castellina, 2020<br>Io Manifesto Piazza Magenta - Tiburòn - Livorno 2020<br>Flores y Caracoles Art into the Park, Isola d’Elba 2020<br>La Strada Wonderwall Project Nibbiaia 2020<br><br></div>

Pesce Specifico

Libertà

<div><a href="https://www.facebook.com/libera.capezzone/">https://www.facebook.com/libera.capezzone/</a><br><a href="http://www.uovoallapop.it/en/">www.uovoallapop.it</a><br><br>Libera Capezzone aka Libertà, Empoli, 1982.<br>Painter, influencer, muralist, expert in the history of Livorno, she painted the 27-meter sardine in April 2014.<br>The artwork on the roof of the pagoda market is the most famous mural in Tuscany. The big fish recalls the sea and the livelihood of the port city since its origins, moreover it has been seen by thousands of tourists, most cruisers that like ancient travelers have passed through Livorno,<br>-the port of Tuscany since 1500-<br>Under the fish the verse of the poet Viola Barbara<br>'Lische Squame Coda Amore Libertà': a synthesis of all the sections of the fish, the parts its body all the poetic passages of life;<br>the verse deliberately contains the name of the painter.<br>Sponsor: Materis Paints, Max Meyer, Settef<br><br>Libertà is co-founder of Uovo alla Pop gallery, her contribution to the project is based on a historiographical and cultural research of the territory that she's sharing with videos that have now become a viral phenomenon on the web through 'Guide alla Ventana' portal.&nbsp;<br>She is an inventing tour guide and a sperimentale painter who has exhibited all over Italy; her most famous murals are in Rome (Villaggio globale), Sardinia (Tonara) Viareggio (Madonna della Street Art) Capraia (L'Isola Azzurra, landscape on painted tiles)<br><br><br></div>

Pesce di Libertà

Gio Pistone

<div><a href="http://www.giopistone.it/">http://www.giopistone.it/</a><br><a href="http://www.uovoallapop.it/en/">www.uovoallapop.it<br></a><br>Gio Pistone has been invited to Livorno for the 'Parete Aperta' festival,&nbsp;<br>an urban regeneration project by Uovo alla Pop.<br>She chose to represent Goddess Diana because of the structure of the RSA: it has a rounded shape reminding the curves of a temple.&nbsp;<br>A shrine dedicated to the woman who for centuries has represented the female containing force, she is indeed the Goddess of nature and she includes all species and areas, marine and sylvan.<br>The work exists in a circular space, devoid of vertices at the top and with a mysterious and sacred aspect.&nbsp;<br>This dedication to Diana, the Goddess of differences is a visual way to talk about hospitality in a space where the elderly can find comfort through the company of her imposing presence and colors.<br><br>Sponsor: Cromology, Mollo noleggio, Capoverso<br><br><br>Giovanna Pistone aka Gio Pistone is an illustrator and street artist who lives and works in Rome. She is one of the greatest Italian and international street artists. All drawings lover, she is able to translate her own dreamy universe into lines and colors.<br><br><br><br></div>

Diana

Valentina Restivo

<div><a href="https://www.instagram.com/la_restivo/">https://www.instagram.com/la_restivo/</a><br><a href="http://www.uovoallapop.it/en/">http://www.uovoallapop.it/en/</a><br><br>In the heart of the Pontino district, in via Pompilia, Livorno, exists the figure of a Non Gioconda, a copy of Leonardo's one but without the face to let the passenger imagine and stimulate his fantasy.&nbsp;<br>The work, a mural over three meters long on the wall of an Enel tower, has been done by the painter Valentina Restivo &nbsp;<br>The inauguration of the mural falls on the anniversary of the death of Leonardo Da Vinci, which took place on May 2, 500 years ago.&nbsp;<br>«After having made a series of works - explains Restivo, born in 1983, a degree in Cinema and electronic image - I specialized in portraying people. The Monnalisa is the best tribute with which Uovo alla Pop and I have decided to pay homage to Leonardo considering today is the 500th anniversary of his death. On the wall I used black enamel on a white background ».<br>Non Gioconda is a project by Uovo alla Pop<br><br><br>Valentina Restivo was born in Livorno on May 20, 1983.&nbsp;<br>After graduating in Cinema and electronic image with an illustrated thesis on Pier Paolo Pasolini's “Salò”, she attended Il Bisonte International School of Graphic Art in Florence. She has illustrated several film frames, portrayed numerous characters she would have liked to know, took part in many personal and collective exhibitions.<br>Her interest in street art, after a series of depicted shop shutters,<br>starts with Non-Gioconda and continue with 'Io Manifesto' a movement to bring art in the streets with posters, paper, glue and sleepless nights.<br><br><br></div>

Non Gioconda Restivo

mart

<div><a href="https://www.instagram.com/martsigned/?hl=en">https://www.instagram.com/martsigned/?hl=en</a><br><a href="http://www.uovoallapop.it/en/">http://www.uovoallapop.it/en/</a><br><br>Mart e il mare is stencil and painting artwork that celebrates Giovanni Fattori, one of the greatest Italian painters of the nineteenth century belonging to the Macchiaioli movement.&nbsp;<br>The work is simulating a tour in the halls of a museum and specifically the front door one: Museo Fattori.<br>Of a particular interest is the figure of Coccoluto Ferrigni from 'Portrait of Yorick' by Vittorio Corcos: mart puts a brush in his hand instead of the cigarette present in the original work.&nbsp;<br>The sea is recurring on the entire mural to recall the sector in which the client or committente operates ('International Propeller Club of Livorno).&nbsp;<br>A crowded mural as the fruition we wish for any great museum as the one depicted by the artist.<br>Project by Uovo alla Pop Gallery<br>Sponsor: Propeller club, Bonsignori vernici&nbsp;<br><br>Mart is the pseudonym of the prolific street artist from Livorno.<br>He is a multifaceted artist who deals with sculpture, stencil art, painting, large installations.<br>He is creating a generous and captivating dimension that continuously colors the streets.<br><br></div>

Mart e il mare

Moneyless

<div><a href="https://www.mura-li.com/en/">https://www.mura-li.com/en/</a><br><a href="https://www.moneyless.it/">https://www.moneyless.it/</a><br><br><a href="https://www.instagram.com/moneyless1980/">@moneyless1980</a> manages to create an unique and recognizable style that has led him to be identified among the pioneers and masters of abstract muralism in Italy and abroad.<br>What it's important for <a href="https://www.instagram.com/moneyless1980/">@moneyless1980</a> is to let the audience think freely. He never want to convey a certain message in his works, but he try to make the audience curious about any possible meanings or interpretations.”<br>The mural is curated by Mura-li with the support of the Municipality of Livorno, CCN Borgo, the L.E.M. Livorno, Pro Loco Livorno.</div>

Livorno_01

Bibbito and James Boy

<div><br><a href="https://www.instagram.com/3badeyes.wav/?hl=en">https://www.instagram.com/3badeyes.wav/?hl=en</a><br><a href="https://www.instagram.com/jamesvega.it/?hl=en">https://www.instagram.com/jamesvega.it/?hl=en</a><br><a href="http://www.uovoallapop.it/en/">http://www.uovoallapop.it/en/</a><br><br>A street art combo of two great anonymous names of Italian panorama.<br>The four hands created a digital Tuscan landscape with futuristic hints reminding the net layers, trees, pattern and three eyes characters interacting with the windows.&nbsp;<br>A huge face of an elf with green eyes is surprised by the colorful result of these two great writers: Bibbito and James Boy.<br>Project by Uovoalla<br><br>Bibbito is a muralist and painter from Emilia Romagna, he has been moving around Italy and Europe for over 10 years, leaving tangible proofs of his unmistakable mark on the walls.<br><br>Three-eyed figures, colorful faces reminding the first American street movement of the 90s, adding an original hyper contemporary and through visual confusion between a double unreal: art and virtual, windows, symbols, on off, lights, control keys, arrows, colors.&nbsp;<br><br>James Boy is the painter of many techniques<br>He began painting on the street at the age of 13 when he found in graffiti the way to affirm his still young personality.<br>He tagged around with sprays, paint, markers or chalk.&nbsp;<br>Always and only without rules.&nbsp;<br>The important thing was to leave his signature everywhere.&nbsp;<br>Later on he started to add colors to the pieces inserting symbols, and some figures. In this way he approached figurative art becoming the current eclectic master we know.<br><br><br></div>

Digital Tower

Exit Enter

No Title

Ligama

<div><a href="https://www.ligama.it/">https://www.ligama.it/</a><br><a href="http://www.uovoallapop.it/en/">http://www.uovoallapop.it/en/</a><br><br>This is a huge portrait of Jeanne Hébuterne Modigliani by Ligama and a project by Uovo alla Pop Gallery<br>The neck is portrayed both from back and front, in pink and gray.&nbsp;<br>In the work we also see her large, well-defined hand, the hand&nbsp;<br>of a talented painter whose works, together with those of her lover, have been exhibited in the local Museo della città.<br>Ligama says.<br>“I'm talking about Modigliani through the figure of Jeanne, whose talent and reckless love are no less than those of her beloved.&nbsp;<br>She is a woman who has always reminded me of Ofelia, both killed by too much love. Here is my Jeanne, or rather her neck, caressed by abstract discontinuous flows that are perhaps the sighs of her beloved Amedeo ".&nbsp;<br>Sponsor: Bonsignori vernici, Mollo noleggio, Asa trade<br><br>Salvo Ligama is a Sicilian master, his genius lies in creating murals with an extreme contemporary look, bright colors in large backgrounds, but which also always have a retro taste, an ancient soul. Large Greek-like statues next to blinding rainbows, broken busts in incomparable metaphysical atmospheres. In this search for opposites, that is, being both in the future to be fulfilled and in a millennial past, Ligama finds a unique, personal, suspended and absolute style.<br><br></div>

Quando manca l’aria

Giorgio Bartocci

<div>“Routine Tropicale” è la bella pittura realizzata da <a href="https://ilgorgo.com/area/giorgio-bartocci/">Giorgio Bartocci</a> come parte del progetto espositivo “ROUTINE FABRIQUE” presentato presso Mercemarcia di Livorno.</div><div>Il progetto ha visto il grande artista Italiano confrontarsi con questa grande parete ed al tempo stesso presentare un allestimento all’interno degli spazi di Mercemarcia, spazio espositivo indipendente gestito da un collettivo di artisti e musicisti.</div><div>L’opera è l’occasione per tornare a confrontarci con la particolare ricerca dell’interprete, quanto mai legata ad una introspezione e soprattutto ad una profonda catarsi personale. Le tracce pittoriche di Giorgio Bartocci rivelano tutta l’intensità del gesto. Si tratta di un automatismo astratto, una forma di istinto primitivo e spontaneo che vede l’autore lasciarsi andare ad un flusso di (in)coscienza continuo.</div><div>Approfondendo, la ricerca dell’autore rappresenta un momento di confronto personale dove le sensazioni, gli stati d’animo, le percezioni legate al momento, prendono il sopravvento. Le scaglie pittoriche si animano e vengono tradotte in forme e figure in costante moto e capaci dare forma e sostanza a composizioni altamente dinamiche. L’artista interagisce con lo spazio di lavoro preservandone le atmosfere e le peculiarità, lavorando in funzione dello stesso, scegliendo ad esempio colori e tonalità in accordo con gli elementi che lo circondando.</div>

Routine Tropicale

Mr Thoms

<div>Mr.Thoms alias Diego della Posta is an Italian street artist. Work with bright colors and geometric shapes to create movement. The walls chosen influence his work. His great knowledge of architecture and body language allow him to capture the essence of his characters and to transcribe it on the walls. His cartoon-like characters seem driven by madness. They have a funky sparkle in their eyes. His greatest skill is the ability to depict movement on walls.</div><div>Mr.Thoms was born in Rome in 1979, where he studied graphics and painting at the Academy of Fine Arts.</div><div>Since 2000 he has worked as a set designer for cinema and theater, and also as an illustrator of animations for cinema and television. He recently worked on the sets for the Olympic ceremonies held in Sochi, Russia. His art is present in the international circuits of galleries and museums; he has participated in writing and street art festivals, and has created walls in Italy, Denmark, California, Portugal and Spain, he currently lives and works in Rome.<br><br>We recognize the face of a child and many pieces of wood that follow one another in a frenetic game of joints, mistakes, falls, attempts, and then finally, the right piece.</div><div>Like the path of family custody, we are on a path made up of different rhythms, the slowness of some moments, a new daily life where we get to know each other little by little, we help each other growing, changing, we get stuck in a shared learning of moments , face swaps.</div><div>There is also sweetness, welcome, fun, chaos, a leap into the dark and then satisfactions, the affection that becomes love, knowledge, generous union.</div><div>Mister Thoms' work is made up of smiles, children who get confused with the puppets, the loss of defined roles, courage, all in a creative and saving centrifuge.</div><div>Man becomes a puppet willing to trust and rely on a material geometry that seems both casual and prearranged.</div><div>The sky, a sleight of hand made of delicate balances.</div><div>A human industry that makes itself unexpectedly and incredibly better in being open to change, in having its hands touched its heart.</div><div>A choice of two captivating palettes A non-story story that you want to watch, photograph, film, tell. Be a part of it.</div>

Questione di incastri

Peeta

<div>Manuel Di Rita, also known as Peeta, is a graffiti artist since 1993 currently living in Venice. He is a member of the EAD crew (Padova, Italy), FX and RWK crews (New York City) and has participated, over the years, in festivals and art shows all over the world. His work explores the potential of sculptural lettering and anamorphism, both in painting and in sculpture.</div><div><br></div><div>“In my pictorial, sculptural and mural compositions, the geometrical shapes I design behave as they interact with the surrounding environment. In particular, when painting on walls, my aim is to create a dialogue with the structural and cultural parameters of the surrounding context, either architectural or not. Initially, my works only realized the sculptural quality of individual letters, namely the ones that spelled out my own moniker, Peeta. Progressively, the fusion between traditional lettering and three-dimensional style has given life to a unique kind of visual rhythm. Today, through my anamorphic works, I redesign the volumes of any surface involved, thus causing with my paintings a “temporary interruption of normality” by altering the perception of familiar contexts and so raising a different understanding of spaces and, consequently, of reality on a whole. Due to my turn towards anamorphic painting, I choose to transform my traditional shapes in order to let them interplay with standard modules of architectonic structures, often changing them from irregular and smooth to geometrical solids. Constantly running in parallel with my mural and painting activity, the role of sculpture comes to be essential for my overall production as it represents for me a direct contact with three-dimensionality in order to understand the rules of light and shadows and to reproduce them.”<br><br></div>

<div><a href="https://www.ligama.it/">https://www.ligama.it/</a><br><a href="http://www.uovoallapop.it/en/">http://www.uovoallapop.it/en/</a><br><br>The four monumental figures are the concrete portraits of abstract laws.<br>With the imagination, the artist humanizes the principles of freedom, brotherhood, friendship and equality (the fourth man is his self-portrait)<br>The title of the mural is 'Fiori di Glicine' (the woman blows petals from her hands); wisteria has been used in many cultures as a symbol of friendship and brotherhood. Ligama recreates 'Livornine laws' (written by the Medici family at the end of 1500 to populate the city port inviting every European community especially Jews) in order find the same illuminating modernity of the past.&nbsp;<br>A large mural dedicated to those laws that made Livorno a landing place for research, the heart of an open-minded melting pot, the experimental appendix of Florence.<br>Project by Uovo alla Pop and Lions club Livorno host<br>Sponsor: BCC Castagneto Carducci, Mollo noleggio, Bonsignori vernici<br>Ligama, born in 1986, graduated in graphics at the Academy of Fine Arts of Catania, in 2015 abandoned his university career to devote himself&nbsp; to street art, offering many innovative contributions including the personal reinterpretation of the relationship between reality and the digital, a monumental hyperrealism with abstract references as well as a research work on the stories of the places where he will paint.<br>In Livorno, his adopted city, he had already created another mural for the celebrations of the centenary of the death of Amedeo Modigliani it is called' Quando manca l'aria' and it is dedicated to Jeanne Hébuterne, Modigliani's lover.<br><br></div>

Fiori di Glicine

Millo

<div>Francesco Camillo Giorgino, aka Millo, was born in Mesagne in the province of Brindisi in 1979.&nbsp;<br>After graduating he moved to Pescara where he graduated with full merits at the Faculty of Architec­ture. As an always passionate and tireless artist, after his studies he carried out a personal aesthetic research in the field of painting, focusing on the relationship between space and the individual, moving from the micro to the macro scale.&nbsp;<br>In the last decade Millo has focused on the production of large-scale mural works, which have lead him to paint all over the world. His mural production boasts over 120 works scattered across all continents, in addition his paintings have been exhibited in London, Chicago, Rio De Janeiro, Paris, Los Angeles, Miami, Rome and Milan.&nbsp;<br>Furthermore, his works are part of two permanent collections: Urban Nation Museum for urban con­temporary art in Berlin and the Straat Museum for graffiti and street art in Amsterdam.&nbsp;<br>The Mural:&nbsp;<br>Millo1s design takes its cue from the former Odeon Cinema, a few steps from the City Centre's Park. The cinema was designed and built between 1948 and 1952 by the architect Virgilio Marchi, a leading exponent of the second futurism.&nbsp;<br>It was the largest cinema in Livorno, particularly appreciated for its excellent acoustics and the refinement of it's soundscape.&nbsp;<br>Currently closed (since 2008) tand recently converted into mostly a parking lot, the murales brings back to the memory an important building, which remains in the heart and memory of the people of Livorno to date.&nbsp;<br><br>"Imagined bringing back to life a place loved by the city, as if time could slip backwards"<br><br>The work was created by the Murali Association "Let's give color to the city" with the support of the Municipality of Livorno, L.E.M. Livorno, CCN Borgo, ASA Livorno, Saba Bevande and thanks to the sup­port of the technical sponsors of the initiative: GV3 Venpa, Sikkens Color, Non solo Bagno and was in­augurated on 3 July 2021 to coincide with the first edition of the Straborgo Festival.&nbsp;<br><br></div>

Time is running backwards

Pisa

Santa Croce sull'Arno

Montecatini Terme

Carrara

Poggibonsi

Florence

<div>TOUR FOR ALL<br><br>Hi everyone !<br>My name is Cecilia I’m part of the Association MuraLi from Livorno.<br>I’m a girl with the passion of muralism…have you noticed? I’m a GIRL, not a disable girl!! In fact I can’t stand being considered for my disability and that’s it. I wish to have the possibility to visit the city and look at the murals. That’s the reason why I planned a tour totally accessible for a person that, as me, has to use the wheel-chair. :)<br>I think to a person who arrives in Livorno with the cruise, or by car. There is also the alternative of the train, and you’ll find the indication to reach the murals from all this points.<br>When you arrive by ship, you’ll take a special bus that stops in Luogo Pio square. If you come by train you have to take the bus LAM BLUE and you leave it in Grande Square. (in this case you can follow this instructions from point 9).<br>From there you should walk all straight on (on the left of the street) till a square, that it’s called Municipio Square (and you can see the new structure of the comune, and also the ancient one)<br>You should cross the streets in the all city only on the zebra cross, and make you sure that both the sides of the street have the access for the wheel chair (because it may not to be so for all the streets, but I’ll tell you where to go with the wheel chair).<br>The Municipio square is almost new, so is totally accessible!<br>You have to go at the very left side of the square, so you can admire the mural of Modigliani on the gate valve of the kiosk in this square.<br>Then you should go straight on under the gallery (follow the arcade, you must cross two roads).<br>Finally you’ll arrive in Grande Square and you must cross Grande Street (here you can see the Dome on your right).<br>Than you continue always straight on, following the street (that makes a semi-circle around the Dome  it’s called Largo Duomo). Here the sidewalk is beautifully large and accessible. After the pharmacy in the corner, there’s Santa Giulia Street, which is without cars and it brings you to Cavallotti Square: it is the TIPICAL place of the local market! (but there’s only in the morning)<br>You’ll cross this road and continue straight on you’ll pass under another gallery, but it’s shorter than the previous, indeed the arcade goes to the left, but it doesn’t matter you…you should continue always in front of you (you must cross three roads you’re in Cairoli Street, and you have to make all of it).<br>Now you’re in Cavour Square and you should cross it till the street that begins with the big red vases between a pharmacy in the corner and the Guess’ shop  This road is Ricasoli’s, and you have to make it all (both, Cavour square and Ricasoli street, are for pedestrian only, so you can stay in the middle, and in Ricasoli Street it’s recomandable because the sidewalks have a particular floor (which is not….wheels-friendly!;)).<br>When you will be at the end of this street,you’ll be in Attias Square (there you’ll find others big red vases) and another pharmacy in the corner on your right.&nbsp;<br>From there (THAT corner) you can go on the sidewalk, and it’s important because there are a lot of cars in this square!<br>You have to follow the sidewalk on your right side !!! Maybe you will find cars in the opposite sense so be careful (and it goes in the first road on your right  this is Roma Street). Before entering in this street, look to the statue there: he’s Modigliani! It’s there because that street has the first Modì’s house he was born there; and also there is a little museum.<br>You should go only a bit along this street to see the first marvellous mural! You’ll pass a fantastic shop on your right that sells sweets and chocolate called Delì (and in which you can have the discount if you subscribe the MURALI CARD! The mural is on your right and it’s very big. It was made from a french artist called Arnauld Liard, that worked on it in 2019.<br>Now you have to walk along Roma street till the corner (here you’ll find a Bakery Pizzi and in front of you there’s a supermarket Pam).<br>When you arrive at the corner, you should turn right following the sidewalk, but if you are by wheel, it will be better for you to cross the street (on the zebra cross) because here the sidewalk is very large and more flat…but when you’ll arrive at the end of this sidewalk, you must change side crossing the road (and be very careful )<br>On your left you’ll see a big green iron gate that brings in a fabulous wood: the external wall is going to be painted from an artist called “LUCAMALEONTE”.<br>Now you have to “walk” till the end of the street (that is Cecconi Street).<br>You should arrive in a point with four streets; and you should go left ( this is Corso Mazzini). You can follow the sidewalk, but play attention ‘cause this Street has a lot of traffic and the sides are thin, broken and with a lot of obstacles .<br>You must cross the street when you are in front of a very little road, but be carefull because there aren’t zebra cross, and you have to cross the street now because on the other side there is the step for cars soand&nbsp; for all types of wheel!<br>Then you have to go straigt on till the first corner (always carefully ‘cause you’re seeing the worst sidewalk of the city ;-P)and turn right in Borgo dei Cappuccini.<br>Now go straight on and at the first corner move your head up and look at the big mural made by zed 1 in 2017.<br>Now if you continue on Borgo dei Cappuccini you’ll arrive to a street called Carrozzieri St.  turn right and go in it (but if you are by wheel I suggest you to go down from the sidewalk and go on the street because there aren’t many cars, the sense is only one and the sides let them wish 😉)<br>When you arrive at the half of this road, you should look at the big third wall painted by Moneyless in 2019 he is a italian artist specialized in abstract painting.<br>Now you can continue on Carrozzieri St. and at the end you turn left and left again (at the next corner).<br>You’re in Verdi Street. You’ve to go down there till the corner (you must stay on the sidewalk because the traffic goes in the opposite sense; for this reason stay there both with the wheelchair or not…but always playing attention!)<br>When you arrive at the crossroad between Verdi Street and Borgo Cappuccini, I suggest you to turn left to try the restaurant&nbsp; there: Cantina Senese! You can eat really good and it isn’t expansive! This place is next to RED HOUSE TATTO and with the MuraLi-Card you have a lot of special discounts for many shops of this neighborhood (you’ll find the liat of all of them on the web site at www.mura-li.com) SO, WHAT ARE YOU WAITNG FOR???DO A LITTLE OFFER (5€) AND JOIN US IN THE ASSOCIATION AND CATCH THE MURA-LI CARD!!&nbsp;</div>

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