Burgos

Cesitale. Estela Rojo

Gorkali

Diego Gutiérrez

SIO2

Victoriano Cremer

@klina_art

Cristian Blanxer

Victor García Repo

<div>&nbsp;Flowers, bouquets are one of those elements that have accompanied the success of artists' work, especially in theater and dance. The public's gratitude towards his work materialized in something as fragile, beautiful and perishable as a handful of flowers.&nbsp;<br><br></div><div>A familiar image for all is the delivery of that present at the end of the show, but also throwing them from the stands onto the stage like an explosion of emotion.&nbsp;<br><br></div><div>A gesture that has transcended borders and that ended up becoming a tradition, so that large schools and dance companies (The Royal Ballet of London) have a strict protocol to carry out the delivery of these flowers and turn it into an act of transcendent importance.&nbsp;<br><br></div><div>In this mural, the dance is narrated in a poetic way, with the presence of those flowers; but in such a way that they themselves seem to dance in a balance, making them in turn emerge from their own body and become that moment of fragility, strength and beauty.&nbsp;<br><br></div><div>The body in a slight tension wraps the bouquet in a contained pause, its feet recount the possibilities of the dance from the nudity of contemporary dance to the subtlety of the points that caress the stage in classical ballet. While his hands draw the gesture of that pause that surrenders instantly to the applause, this time silent, but eternal, that was part of his memory.<br><br>Event: CICBUNY BURGOS<br>Curated by @starterproyectos<br><br></div>

INMARCESIBLE

Alberto Montes

<div>curated by @starterproyectos this wall is part of MIMESIS SERES Y LUGARES</div>

taquen

<div>Agés is located in a strategic place San Jacob´s way. It is a part of the last stage before reaching Burgos; This location makes this&nbsp; village to be linked to concepts such as movement and shared spaces, one of the bases of this artist's work.<br><br></div><div>Nature is one of the main topics of his pieces, whether animal or vegetable aspect, this time as a flock of birds.<br><br></div><div>Continuing with the idea of ​​migration, so decisive in the rural environments of the Castilian lands, Taquen brings the flight of some GARZAS REALES to connect these roads. This image continues a story about the need to travel, to look for habitable spaces, to explore and interact in community.<br><br></div><div>"Sometimes we travel by choice and other times by obligation. Sometimes knowing the destination and sometimes not.<br><br></div><div>This tipe of birds ,Garzas reales, flying in groups, cross Europe from south to north with the rise in temperatures, looking for less hostile places for life.<br><br></div><div>Burgos and the Castilian lands&nbsp; become an area of ​​passage and pause, to regain strength and then continue. A place shared between those who are and those who pass, between inhabitants and pilgrims, between architecture and painting. "<br><br></div><div>With this proposal, the need to inhabit spaces is vindicated, without invading them, without losing the intrinsic character of a place, such as its architecture, showing how a respectful coexistence between what exists and what comes to stay is possible&nbsp;</div>

De paso y pausa

Cere

Untitled

Francisco Bosoletti

<div>Wall for @cicbuny2019 curator by @starterproyectos<br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;<em>Night</em><br>&nbsp; &nbsp; &nbsp; Over the drowsy earth still night prevails;<br>&nbsp; &nbsp; &nbsp; &nbsp;Calm sleep the mountain tops and shady vales,<br>&nbsp; &nbsp; &nbsp; &nbsp;The rugged cliffs and hollow glens;<br>&nbsp; &nbsp; &nbsp; The cattle on the hill. Deep in the sea,<br>&nbsp; &nbsp; &nbsp; &nbsp;The countless finny race and monster brood<br>&nbsp; &nbsp; &nbsp; Tranquil repose. Even the busy bee<br>&nbsp; &nbsp; &nbsp; &nbsp;Forgets her daily toil. The silent wood<br>&nbsp; &nbsp; &nbsp; No more with noisy hum of insect rings;<br>&nbsp; &nbsp; &nbsp; And all the feathered tribes, by gentle sleep subdued,<br>&nbsp; &nbsp; &nbsp; Roost in the glade, and hang their drooping wings.<br>&nbsp; &nbsp; (Alcmán)</div>

KORAI

DAN FERRER

<div>This wall is a collaboration for an&nbsp; international choreography event curated by @starterproyectos</div>

The Dance

Doa_oa

<div>Collaboration with TRIBU festival curated by Madrid Street Art Project</div>

@reguemateos

RE-CORDIS

Christian Sasa

<div>The mural painted for a bakery. The owner of the business gave the artist total freedom to design.</div><div>Considering the bakery is in front of a kid's playground, I decided to create a mural with a child's face full of joy and happiness. All kids love sweets and bakery, so I tried to represent that feeling on the face of the child who appears on the mural.&nbsp;</div>

Sweets, joy & happiness

<div>&nbsp;The City Council of San Asensio together with StARTer cultural projects presents a mural intervention in Cuevas street. StArter brings together the experience of two people involved for more than a decade in cultural projects, valuing art as a means to activate creativity and communication, socialization. Estela Rojo, cultural manager, and Regue Mateos, a multidisciplinary plastic artist, carry out social and artistic projects to create and improve spaces, focusing part of our proposals on urban and rural spaces.<br>&nbsp;The image highlights the historical importance of the culture of wine, making Dionysus, god of the vine and wine, the protagonist of the scene. In a town where the base of its economy is based on agriculture and the cultivation of the vine, recreating this mythological figure who was also considered the patron saint of agriculture is a way of rooting it with the classical tradition and claiming its importance and transcendence.&nbsp;<br>“San Asensio collects the essence of wine production, the numerous cellars from the 16th, 17th and 18th centuries that are preserved in the old town attest to this. This town, known as "Cuna del Clarete" in honour of this variety of wine, finds its greatest expression in the popular celebration of the Battle of Clarete. Precisely for this reason, a mural intervention that paid homage to this link with the world of wine and, in turn, to this well-known celebration seemed especially appropriate. The wall is connected with a century-old fountain built in 1921, which was a starting point in the design, generating a visual game inspired by the world of classical sculpture, specifically, in baroque fountains.&nbsp;<br>The wall is located exactly where the "Battle of Claret" begins, for that reason a second figure represents this festival, Eno, goddess of wine and granddaughter of Dionysus, who comes to her grandfather carrying a cauldron after converting the water into wine, perhaps asking for his approval and thus giving way to the celebration. The wisdom of old age, the vitality of youth, the past and the present united around the richness of nature, celebrating and sharing the fruits that the earth generously offers us.&nbsp;<br>White grapes, black grapes, ruins, temples and cauldrons announce that in a few months, on July 24, the street will be filled with festivities, songs and colour, Dionysus will cheer for San Asensio and all those who love wine and tradition.&nbsp;</div>

Mitos

Patricia Diez-Labín

<pre>A fountain speaks about the desire for beauty, retaining the impossible, about water and its reflection; The tyranny of social pressure for our appearance, especially in women, becomes a hidden reflection. To erase the age of the face is to erase identity, power and history.</pre><div><br></div>

Todas las mujeres que habitan el Alfoz

<pre>An invitation to visit the house of a woman archaeologist. Her house shows the history of Reinoso.</pre><div><br></div>

The house

Monkey Birds crew

<div>First wall by Monkey Bird for the&nbsp; project -Mymesis, beings and places- curated by @starterproyectos in the context of the VIII centenary of&nbsp; Burgos´s Cathedral.<br><br>&nbsp;“Our intention was to offer an effect of complex depth and monumentalism, combining some of the most spectacular references of the temple, such as the main altarpiece, with its many details, the Golden Staircase, or the circular oculus in the center of Santa María façade"<br><br>The wall has been possible thanks to the collaboration of the Fundación VIII Centenario de la Catedral de Burgos, the Alliance Française de Burgos, the French Embassy in Spain, as well as Montana colors.<br><br></div>

L´ouvreur de chemins

<pre>She is the first to see us reach the distance, looking for glances that cross, thinking about the future loaded with the past.
"Forward, forward facing the light, feet on the ground, forehead in the blue..." Verses to the free woman who receive us encouraging what is yet to come.</pre><div><br></div>

SUSANA VELASCO

<div>Susana Velasco is an artist from Burgos. We can find her works in rural towns such as Padilla de Abajo or Villangómez, in cities as Burgos and also in other regions like Cantabria. This mural is a tribute to agricultural work in the Castilian fields. In the background you can see the image of the hermitage of Nuestra Señora del Torreón, venerated in this place. The mural is at the entrance of the town and it can be seen from the main road of Padilla de Abajo.</div>

Campos de Padilla

<pre>The House of Music becomes a song to freedom, where women dance together. The square, that place to communicate, meet, liberate ourselves, is a place where we claim the emotions and the territory of our free bodies. Bearing in mind that the body, before the word, is the first to be bent.</pre><div><br></div>

Eloise Gillow

<div>&nbsp;</div><div>Mural painted by Eloise Gillow with ‘StARTer Proyectos’ in Reinoso, Spain, a village with only 10 permanent inhabitants.</div><div><br></div><div>The mural reflects back to us what we already have, highlighted through the repetition of the wall itself, the surrounding buildings and the garden in front of it. The painting blends into the already beautiful space of the village square, not calling too much attention, but subtly inviting the viewer to stop and look.</div><div><br></div><div>The figures are women of two different generations, portraits of women from the village but also representing women in rural areas in general. Fausti, the figure on the left, voluntarily maintains flower beds around the village, affirming that “before, there were no flowers in Reinoso”. She has also carried many large rocks down from the mountainside that she integrates into the flowerbeds. Through a strength of determination, and a joyful spirit, she is constantly caring for these public spaces and cultivating beauty, beyond economic utility. In the mural is accompanied by Aida, a young girl who is also active in the life of the village.</div><div><br></div><div>Through their simple gestures from daily life brought into a large scale, the mural draws attention to the quiet yet important role of these women in cultivating the natural world around them. They are tending to this one flower bed, this island of green, which can also be read as a microcosm of the natural world, the need to appreciate what we already have and protect the environment around us. This contact with the earth, the knowledge of plants and how to care for them, is something we need to value and pass down the generations.</div><div><br></div><div>The mural invites the viewer to look at what we already have, to see the beauty and importance of the natural world around us, and especially the important role of women in passing on the knowledge of preservation and cultivation of the natural worl</div><div><br>&nbsp;</div>

What we already have

<div>Curated by @starterproyectos&nbsp;<br><br></div>

Salarium argentum

@starterproyectos

Equality

AGUS RUCULA

<div>Curated by @starterproyectos for CICBUNY 2020</div>

Sebas Velasco

Iñigo Sesma

<div>Curated by @starterproyectos this wall reflect about the archaelogic history of of the village.</div>

Ceres

<pre>The image is a tribute to the rural world, to the traditional tasks that have been lost and to the inevitable depopulation to which it has been doomed.
Three of the intervened cloths tell the story of the bread making process. Agés still preserves among its popular architectures, the laundry room, a forge and the oven where the weekly raffle was drawn who kneaded and baked the bread every day.</pre><div><br></div>

Pan y exilio

Peeta

<div>&nbsp;project by StARTer PROYECTOS CULTURALES&nbsp; as part of a plan to revitalize the industrial area&nbsp;<br>Peeta has completely transformed the building&nbsp; from an industrial estate until turning it into an optical illusion, drawing the attention of everyone who passes by on the A1 at km 233. (Burgos/Madrid)&nbsp;<br>It is one of the largest buildings painted by the artist. Attracted by the triangular shape, like an arrow. This work belongs to his RINGS series&nbsp; which are representing a sense of unity and link. Their combination on space give a sense of dynamism to the architecture, also means interconnection. One of the things that makes this project different is the dynamism of the point of view that generates that optical illusion where all the geometric shapes fit together. In this piece, nothing is fixed, rather it is an instant driving on the road where everything fits. &nbsp; Anamorphism totally embodies the intention, always fundamental in my production, to reveal the deception of human perception, the fallacy of narrow and fixed points of view through visual tricks that, starting from the attempt to confer a three-dimensional appearance to a representation pictorial, finally reveal their willingness to deceive. &nbsp; Due to my turn towards anamorphic painting, I choose to transform my traditional forms to allow them to interact with standard modules of architectural structures, often changing them from irregular and smooth to geometric solids.&nbsp;</div>

Arrow

Telmo Miel

<div>Wall painted in collaboration with TRIBU Festival, curated by @starterproyectos</div>

CARMEN

<pre>The sound of water resonates shared confidences, glances and moments of complicity between all of them. A girl in her hands rubs between her small hands everything that we still have to erase phrases that symbolize fears, stereotypes, contradictions that continue to be imposed on women and that show the weight of what has been learned. THAT'S A WOMEN'S THING, be feminine, be natural, wear makeup, don't go out alone, be obedient, be innocent, be sexual, don't age, smile, don't say yes, don't say no...</pre><div><br></div>

Christian Fernandez Vicario

<div>The wall reflects about&nbsp; how the&nbsp; life could have been like in the past in that area of ​​the city when Christians, Jews and Arabs coexisted peacefully.</div>

Callejón de las Brujas

<div>The proposal is composed of three fronts of a perimeter wall, becoming a visual story<br>narrated through an interior space. An invitation to&nbsp; visit an archaeologist house full of images about the Reino´s History</div>

The archeology

<pre>Under the stairs a teenage girl invites us to think about the importance of culture and reading as ways to move towards real equality. Reading helps us build our own identity and knowledge makes us free and it is essential that women writers have a voice and are accessible to everyone, that we can all learn from female characters.</pre><div><br></div>

Agés

Villangómez

Belorado

Villaherreros

Miranda de Ebro

Palencia

<pre>A route to discover gender issues from a contemporary perspective. Curated by
 @starterproyectos</pre><div><br></div><pre>
<br></pre><div><br></div>

Identidad y territorio

<div>#Wallkingburgos is a route curated by @starterproyectos to show a masterpieces of contemporary artists in the streets.</div>

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