VerifiedPopular artists

All the verified artist accounts, based on their artworks and community interactions.

Damien_Mitchell147. Damien_MitchellDamien Mitchell is an acclaimed street artist originally from Australia, now based in Brooklyn, New York. Known for his striking and highly detailed murals, Mitchell has gained international recognition for his ability to transform urban landscapes with his art. His work is characterized by its photorealistic style, often featuring large-scale portraits and scenes that capture the essence of the people and communities he portrays. Mitchell’s journey into street art began in his teenage years when he started experimenting with graffiti in his hometown of Wagga Wagga. His passion for art eventually led him to explore more sophisticated techniques, and he began to develop the distinctive style that now defines his work. Mitchell's murals can be found in cities around the world, from New York and Chicago to Prague and Lisbon. In addition to his technical skill, what sets Mitchell apart is his ability to convey deep emotion and narrative through his art. His murals often tackle social and political themes, reflecting his interest in issues such as inequality, identity, and the human condition. Despite the scale of his work, Mitchell is known for his meticulous attention to detail, which brings a sense of realism and immediacy to his pieces. Beyond the streets, Mitchell's work has also been featured in galleries and exhibitions, where he continues to push the boundaries of his medium. His contributions to the street art scene have made him a respected figure in both the artistic community and the public eye. Damien Mitchell continues to create impactful art that resonates with a global audience, using the streets as his canvas to engage with the world around him.
El Rey de la Ruina154. El Rey de la RuinaEl REY de la RUINA, in English: "The King of the Ruins" is the pseudonym and manifesto of an artist born in Barcelona, but who has lived in Madrid for more than 15 years. Through graffiti and painting in public spaces he shows us a personal vision of society, full of iconic images that, through repetition, are inserted into the retina of the passerby and become a vehicle for acidic and poetic messages. Plastically, his work is a collage of styles, plots and primary colors in vibrant combinations. In his graphic and mural work, the floral motifs, hearts, hands and symbolic objects tell us endless stories, sometimes of protest and rage, sometimes of poetry and inspiration. With clear and powerful drawing work and lines, a high-contrast color range and a series of vibrant geometric games and compositions, the artist plays with the musicality of the image while working with inspiring and ironic messages and conceptual games on the public space, contributing to all kind of new thoughts, discussions and conversations to the walker and society. In his own words: I believe that my work works on two levels, an optical level close to op-art and a conceptual level, close to Pop art or even Punk, in which the important thing is the message and the provocation. The visual part has something lysergic and psychedelic and connects with surreal and fantastic thinking, it captures the eye and hypnotizes with the vibration of the colors, it has an acidic flavor, which can almost be noticed on the tongue and palate, like a bauble that traps you in a world of wonder that is actually a trap. This trap becomes evident when you become aware of the physical and material part of the image, let's say that the realistic and critical part punches you in the face, as if you had fallen through the burrow hole to hit a wall of reality.
SMILE157. SMILEIvo Santos was born in Lisbon in 1985. From a very young age he was interested in drawing, driven by his mother, it was through two cousins that interest turned into passion. In the 1990s, through the film Beat Street and the sounds of Vanilla Ice, Kriss Kross or MC Hammer, discovers the love for Hip Hop Culture, embracing Graffiti as the following strand. At the beginning of the new millennium he risks spray painting for the first time, using the pseudonym SMILE, with cans from a hardware store. Not obtaining the desired result, he dedicates the following couple of years to perfecting the technique and materials. In 2001, when he returns to the streets, he immediately demonstrates his talent, winning the Odivelas Graffiti Contest the following year. From there, several interventions arise, mostly for the Ramada Parish Council, where he lived. Its national projection takes place in 2004, when virtually unknown to the community in general, it categorically wins the Oeiras Graffiti Contest, the most important event on that date. This is followed by second place in 2005 and 2006 revalidates the title, cementing its name in the Portuguese artistic elite, reaching international status in 2009, by winning a contest in Barcelona, against consecrated names in world graffiti. The decision to professionalize his art brought him works for such distinct entities as Nissan, Mc Donald's, Billabong, Red Bull, among many others, as well as the sponsorship of Casio G- SHOCK, Sollac Tintas, NEW ERA, Monte Campo and CANON. It also became a regular presence in reports on urban culture in general and graffiti in particular, both on the four main television channels in Portugal and on radio and the internet. High point of his activity as an urban artist obtained it in 2013, where his intervention in the gable of a building in Loures, portraying a young man with a complicated medical history, generated a wave of media solidarity that resulted in the resolution of the problem. The "Bartolo" mural will forever be referenced as a case study of how urban art can help solve social dramas. The internationalization of his art has been taking place, with invitations to participate in events in the United Kingdom, Germany, France, Spain, Switzerland, the Netherlands, Malta and Brazil. At the same time, he created the First Art Atelier&Gallery, a space open to the public, and which serves as a place for exhibition and presentation of projects (visual and/or sound) of national and foreign artists. He is currently the President of ACUParte, a Non-Profit Cultural Association, which aims to promote and energize Urban Culture throughout the country, through experimentation, innovation and development in Visual, Performing and Sound Arts. It currently resides in the parish of Pontinha, in the Municipality of Odivelas.
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