In the heart of Mannheim’s city center, on the façade of H4, the mural “The places you’ve been” by acclaimed Australian street artist George Rose shines brightly. Spanning a five-part façade, a vibrant botanical world unfolds: pink, violet, light green, and rose-colored blossoms climb across the wall of the GBG building, placing the work in the immediate neighborhood of other well-known murals such as those by Carolin Kaiser and Sourati.

The journey to completion was anything but easy. After postponed flights and lost luggage, Rose first had to contend with extreme weather conditions—from blazing sun to days of relentless rain. Yet the warm and determined artist from Down Under was undeterred. With perseverance and unwavering optimism, she transformed the bare wall into a radiant work of art.

Characteristic of George Rose’s style are her abstract interpretations of botanical elements, translated into oversized, intensely colored compositions. Plants that appear small when viewed up close are rendered on a monumental scale on walls—always accompanied by her signature color gradients, which she playfully refers to as “sweet, sweet fades.”

Her creative process always begins with a close engagement with the site itself. Prior to the project, she traveled to Mannheim to explore the surroundings, photographing plants, architectural structures, and decorative details. In particular, an iron gate at the Jesuit Church, adorned with recurring floral and leaf motifs, proved especially inspiring. Flowers she discovered in front of a nearby café also found their way into her sketches. “The mural has its own rhythm and responds with recurring elements to the city’s planned order,” Rose explains.

Photography and the collection of botanical information are central to her practice. “I document every plant I come across, building a personal flora archive that has grown over the past 15 years. It serves as a kind of living record—a way of tracing where I’ve been, what caught my attention, and what created resonance. These memories flow like a visual path through different cities into my murals.” From pencil sketches of individual plants, Rose develops digital compositions in which she explores rhythm, movement, and color. The final work is applied using brushes, rollers, and a spray gun. For “The places you’ve been,” she chose a base color that echoes the original tone of the wall, creating a subtle interplay between belonging and the unexpected.

That flora and fauna are at the center of her art is a conscious choice. “For me, it’s about showing the vulnerability but also the resilience of nature. Plants that find their way through the concrete of the city are a powerful symbol.” Her own connection to nature runs deep: she grew up in the countryside with a father who worked as a forester and instilled in her a love for trees. Organic forms and structures have fascinated her since early childhood. “Nature calms me. In art—and in public space in general—there is an oversaturation of human representations. Plants are my counterpoint to that.”

Several meters above the ground on a lifting platform, the routine of the experienced artist becomes apparent as she applies color to the façade with practiced movements. “After all these years, these motions are stored in my muscle memory,” she says. What she especially appreciates about working in public space is the absence of barriers—so different from the studio. “As an artist, I am completely visible in my creative process on the street,” she explains. People can follow every step and interact with her directly. “They stop, talk to me, open their windows when I pass by on the lifting platform—like the elderly lady in this building who kept me company while I worked. Those are very special moments.”