Rancy’s work, “Divina Proportione”, alludes to one of the illustrations that Leonardo did for Fra’ Luca Pacioli’s book. The empty icosahedron, which reflects perfection and divine harmony, seems illuminated and three-dimensional. A casing evoking man, which contains three spheres painted in primary colours – green for the mind, blue for the soul, red for the spirit – seems to emerge from the artist’s tag patterns which evoke acomposition between the Hartmann and Curry grids used in bio-architecture and ancient buildings.