In 2010, Regg Salgado used stencil for the first time, in order to produce his first works of art. From stencil he then started using the spray cans, later the brushes and finally the extender with plastic paint. Houses, factories and abandoned warehouses allowed his murals to grow to tremendous scales. In “Nobel”, Regg Salgado got inspired in the life and work of Egas Moniz, through photographs, and presents two distinct realities and with different socioeconomic contexts.