What is starting to look like a pretty epic contribution by Shaun to the 2026 edition of the Frankston Street Art Festival

Talking to Shaun about the title of this wall he pointed out to this wall revisiting and expanding a painting he created for his latest solo exhibition called “All That We Carry Is What Remains”. The most significant shift lies in the background, that Shaun drew inspired by Turner’s The Burning of the Houses of Lords and Commons (1834).

In it Shaun explores the seven deadly sins through the lenses of power, business, and excess—leaving one seat conspicuously empty, waiting to be claimed.