This is a legal graffiti wall in Firenze. Provided by users of legal-walls.net.<br /><br />
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Stadio

This is a legal graffiti wall in Firenze. Provided by users of legal-walls.net.<br /><br />
      <strong>Is this wall really legal?</strong><br />
      View <a href="https://www.legal-walls.net/wall/696?utm_source=api" target="_blank">the comments</a> and <a href="https://medium.com/legal-walls/how-to-assess-the-legality-of-a-graffiti-hall-of-fame-a27884696f34">check this post</a> for tips. 
      If it's public property, you should get in touch with local authorities. For private property, just contact the owner.<br /><br />
      <strong>Where does this information come from?</strong><br />
      Legal-walls is a crowd-sourced community. If you believe the wall is no longer there, or not legal, leave a comment by clicking the link below.

Piazza delle Cure

Florence

Arke

Droste

Giorgio e Mario

Emilia Maria Chiara Petri

<div>A mural that tell of a humanity on the way, of the desire and the possibility for anyone to change their life and redeem themselves.<br>Three wonderful murals that symbolize the humanity that makes a path that has the possibility of changing its path. The symbol that I find in this mural is the possibility of changing one's life and improving it. There are many themes and symbols within the work. An important sign, because this it is a place that for Florentines, and especially for those involved in social policies, has a particular significance for the activity it carries out. In this way, even the city passing by can become curious and know, and consequently give support to our population more fragile. "<br><br>The mural on the facade of Casa Caciolle shows a dedication by the artist Emilia Maria Chiara Petri which embodies the profound meaning of the works created:<br>"To humanity on the way, which cannot be confined;<br>to its complexity, which is not reduced in space<br>and predefined words.<br>In the feminine of each, in its many forms,<br>that always goes beyond the limits<br>to its possibilities of expression. "</div>

Humanity

Mr. Wany

<div>On Wednesday 12 December a mural by Mr Wany was inaugurated, created together with 30 students of Florentine schools of graphics, illustration and comics, on the wall of the Guglielmo Marconi Elementary School in Via Enrico Mayer. Mr Wany (Andrea Sergio, born in Brindisi in 1978) is now an internationally known author and has worked in every country in the world. Starting as a Graffiti writer and Street Art, he has been working for 30 years in the most diverse sectors: cartoons, comics, tattoos, art galleries, set design, screen printing and even music production and publishing. This is how his current style is defined: surrealist pop painting, graf-futurism, with influences from comics, tattoo, style writing, urban art and new muralism.<br><br></div><div>The work, decidedly of high figurative and chromatic quality, presents a harmonious set composed of a dented metal girl's head leaning on a portable radio bearing the school name, a transmitting antenna, a folding fan, vegetation growing among the objects, a flying beetle is approaching. Let's risk a very personal interpretation: the child is an object like any other, thrown away in a garbage dump. Let’s meditate! Florence, via Enrico Mayer.<br><br></div>

Let's Meditate

Jorit Agoch

Antonio

Rame 13

<div>&nbsp;This work represents Tess, a Pachamama weaving the threads of Nature. This mural is a tribute to the company's commitment to a more sustainable future.</div><div><br>&nbsp;This mural was created for the @mariobelluccispa wool mill, a project curated by the @calimaia_collective.&nbsp;<br><br></div>

Tess

Run (IT)

basik

<div>The mural of RUN and BASIK is located on the façade of a building in the district of Rovezzano, in Florence.</div><div>Speaking with the neighbourhood, initially, had been expressed the desire to carry out an intervention with the object of boxing because, right next to the mural, will be inaugurated shortly a popular box gym for the guys of the area. Talking to the artists, to avoid producing a work too didactic (too obvious) , we decided to adopt as object of study the theme of the "Challenge" and the "confrontation/clash" that links two entities and pushes them to face each other in the ring, as on many other battlefields.</div><div>This initiative is part of a series of events promoted within the framework of the Festival of Rights, which every year celebrates Tuscany as the first country in the world to have abolished the death penalty in 1786.</div><div>According to this celebration purpose, our intervention wants to remind everyone that the acquired rights have hardly achieved through time, and not freely but thereafter revolutions, resistances and struggles that we find today widely documented on the history books, but whose all of us too often miss the memory.</div>

Challenge

Francisco Bosoletti

<div>The 'Last Judgment' by Francisco Bosoletti, the large mural by the Argentine street artist that extends along six facades of the minimal houses, the public houses of via Corbinelli and adjacent streets managed by Casa spa (which provided the his contribution). The work is part of the Dante celebrations of the Municipality of Florence.<br><br>Francisco Bosoletti 's " Last Judgment " draws inspiration from Dante 's poetic work and from the "visible talk" of the Italian and in particular Florentine pictorial tradition, but it is seen through the eyes of a man of today. He evokes, suggests, recalls. But it remains suspended and leaves the viewer with the burden of establishing boundaries, even with the surrounding environment, of which the painting appears to be a part. The work is fragmented on different walls, to form a single design in which several senses coexist, and positive and negative become equally dense with meaning.<br>Invincible cords bind the submerged and the saved, the bodies in their nakedness are indistinguishable, the roles can change, the action of seeing builds the moral dignity of man.<br>The observer is then exhorted to reassemble the pieces according to his own journey, just as the painter arrived here making his own.</div>

The Last Judgement 

ache77

<div>The mural created by Ache77 depicts the memory of Janusz Korczak (Henryk Goldszmit), a&nbsp;<br>Polish free thinker, doctor, pedagogue, poet, educator and a pioneer in the battle for the rights of&nbsp;<br>the children, as well as one of the countless victims of the Shoah. He affirmed that the fundamental&nbsp;<br>rights of each child were three: the right to die, the right to live the present life, and the right to be&nbsp;<br>exactly who he is. The works of Korczak are the basis of the International Charter of Fundamental&nbsp;<br>Rights of the Child. ACHE77 encloses the messages of his works through the eyes he depicts.&nbsp;<br>Here, has portrayed the fearful eyes of two people: his fear conscious, her fear isn’t. He has&nbsp;<br>already found out all the cruelty that humanity is capable of inflicting, but he is not capable of&nbsp;<br>revealing it to her. Two bodies, gray as fear, two eyes, blue as the clearest sky. We must return to&nbsp;<br>believe that the sky could only be blue.</div>

The Legacy

Fabio Petani

Erbario Figurato

Giulio Rosk

Davide Astori

<div>Mandela is best understood in his own words: <em>“I knew that the oppressor was as enslaved as the oppressed, because he who deprives others of freedom is a prisoner of hatred, prejudice and narrow-mindedness. I am not really free if he lacks the neighbor of his freedom, just as he does not it is if my dignity is taken away from me. The oppressor and the oppressed are both robbed of their humanity. I do not feel obliged either legally or morally to obey laws passed by a parliament that does not represent me. We decided to take up arms because the only alternative was to surrender and submit to slaver.”<br></em>Italian artist <a href="https://www.instagram.com/jorit/"><strong>Jorit</strong></a> cites this quote as the inspiration behind his latest piece, “Mandela” which he recently completed in Florence, Italy for the Nelson Mandela Forum. The large-scale mural honors Mandela’s larger-than-life persona and commemorates the one hundred year anniversary of the activist’s birth. Completed with spray paint, the portrait depicts Mandela in Jorit’s hyperrealistic style, and includes the red lines signature to the artist’s work. Here, this touch emphasizes Mandela’s intense expression, which gazes at the viewer with a blend of defiant challenge and deep wisdom.</div>

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