El peso de la historia

After years of intensive graffiti practice in Buenos Aires, Franco Fasoli looked at other ways of painting in the street, whether by the technique, often experimental, or by the pictorial style. He became known under the name of Jaz for his atypical way of representing human encounters, situations or feelings through scenes where animals and geometric forms intersect. Phenomena of masses or duels with bare hands are subjects that are often found in his paintings, where the bodies merge in a dead-end street. 
Mural painting created within the scope of the “4th Bien Urbain edition”.