In most cases, when I intervene pictorially on an architecture, I do not intend to add something to the space as an element, as an object, but quite the opposite.
I try through pictorial intervention to annul the surface on which I am painting, with the intention of softening it, fragmenting it, transforming it into a dynamic movement that can thus relate to the surrounding space.
In this case, we are talking about a very rigid form, and this rigidity is accentuated by the surrounding nature, with its open forms and lightness and perfection in the composition.
So my intention is to soften the structure through the use of light and dark shapes and colours that create a visual deformation, giving the structure a new form.