Gijs Scholten does not have a design beforehand and that is not his way of working. The shape of the wall and the surroundings determine the image. 
In the image you see natural shapes, a pattern of flowers and nature. A natural choice for him because he thinks it fits in with Lichtenvoorde. 
The reclining woman arose spontaneously. The woman is remotely intertwined with the organic pattern in the background and seems to blend into it. Closer you see the details. The sketchy and loose lines only offer help to the viewer and are therefore not decisive in this performance, rather provocative.