His cement eclipses are a critical reflection on human behaviour as social mass: people as herds. They focus on the routine of the humans of today and are located in the strangest of places. The intention is that the miniatures shaped from clay and then moulded in plastic and painted, attract passers-by and prompt them to think about the comedy of humans. Cordal has a preference for ‘little people’ and situations that express their desperate existence, such as waiting for a bus, an unexpected death, sitting in the office, telephoning on the balcony, etc. Unfortunately they're going to demolish the building so they have brought the artwork to safety.