The Italian Pixel Pancho is characterized for including robotic figures in his works as a way to express a scathing critique of a capitalist world in which the mechanization of the food industry is an endemic evil. His work (murals, paintings and sculptures) is a structure of interconnected stories that have as a thread a surreal world inhabited by robots in decomposition. His humanized bodies of steel and copper, full of physical and gestural analogies, get filled with rust and fall repeatedly into the loop of oblivion.
His artwork in Carballo, is a critique of the dehumanization of the agri-food industry and the mistreatment that is done to animals that are considered solely for their productive capacity, as simple commodities without feelings or capacity for suffering, without further consideration of their living conditions.
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