suso33

<div>On the wall of a building in the square, a group of more or less concentrated human silhouettes occupy the entire surface of the wall. The light casts their shadows on the fictitious surface on which they stand. Seen from a distance, this group is vaguely reminiscent of a larger human silhouette made up of all the small silhouettes.<br><br>In words of the artist, "What I am talking about here is the individual as opposed to the mass, the contrast of feeling part of the whole and at the same time exclusive and unique".&nbsp;</div>

Untitled

<div>Wall painting in relation with the creation and growth of the town, from the first settlements by small communities of shepherds, to the present. Showing a joined town, despite being composed of very different people.</div>

Mural basado en la evolución del municipio / evolution

<div>Supported by SAMA, Street Art Museum Amsterdam&nbsp;<br><br>The wall is hidden behind the tree, which creates a new ambiance for the artwork in each season. The idea is to create curiosity about the artwork in summer time, after which the artwork will show at the darkest time of the year in winter. At the bottom of the grey wall is a classic graffiti piece dated to 1997, by the notorious Amsterdam writer, JUICE. Although discussed with stakeholders, Stolyarova refused to paint over the piece as a way to continue dialogue on whether contemporary ‘street art’ and ‘classic graffiti’ are related, contrary to assertions made by the curators of the exhibition, Graffiti. New York meets the Dam, happening that same year at Amsterdam Museum. SUSO33’s work creates a sense of continuity and transition from the bottom to the top of the wall, giving recognition to the existing graffiti, while connecting past, present, legal and illegal art forms, without violating graffiti’s old school respect ethics. To the surprise of everyone on production, JUICE made an appearance on the second-last to of painting to refresh his piece. One of SAMA’s young local graffiti artists, Metin Bagirgan, assisted with the lift and was holding back the tree so that SUSO33 could paint.<br>The blue in the throw-up is used by Suso33 to create an interplay. The artwork depicts human silhouettes casting shadows in black colour. The mural covers the two thirds of the building's side wall being situated above another artwork - graffiti in orange and blue.</div>

Curiosity 2015

<div>Wall painting in relation with the creation and growth of the town, from the first settlements by small communities of shepherds, to the present. Showing a joined town, despite being composed of very different people.</div><div><br></div>

Mural basado en la evolución del municipio / evolution 

<div>&nbsp;Suso33 turns those enigmatic figures that look like shadows about to vanish, into an icon. Cualtis have used them to decorate their headquarters, breaking with them the scale of the building and thus emphasising the size of the people.&nbsp;</div>

<div>&nbsp;</div><div>"Splash" Calle Alemania, Soho, Malaga <a href="https://www.facebook.com/hashtag/malaga?__eep__=6&amp;__gid__=527507177807497&amp;__cft__[0]=AZUNHpHzJ66QsyovUlFC4jT8aI1xVcOGWOR9hZvD7WoRTrZN437hbkQuSXjeBHTY7FE5cI3PV_kOogFTv5zkZnr_oA2bQXJJZDDrc5BL0OUu_VxGdFJSDeAKwfBuiHibwfUTrBiACVeAAgJKD7pgDvEOQHdT2IvhHE1nWvDMZULSH1QNkb95poz0RCXk5v-lEJA&amp;__tn__=*NK-R">#malaga</a> von suso33 <a href="https://www.facebook.com/SUSO33?__cft__[0]=AZUNHpHzJ66QsyovUlFC4jT8aI1xVcOGWOR9hZvD7WoRTrZN437hbkQuSXjeBHTY7FE5cI3PV_kOogFTv5zkZnr_oA2bQXJJZDDrc5BL0OUu_VxGdFJSDeAKwfBuiHibwfUTrBiACVeAAgJKD7pgDvEOQHdT2IvhHE1nWvDMZULSH1QNkb95poz0RCXk5v-lEJA&amp;__tn__=-UK-R"><strong>https://www.facebook.com/SUSO33</strong></a> aus Madrid im Rahmen der MAUS Malaga <a href="https://www.facebook.com/MAUSMALAGA/?__cft__[0]=AZUNHpHzJ66QsyovUlFC4jT8aI1xVcOGWOR9hZvD7WoRTrZN437hbkQuSXjeBHTY7FE5cI3PV_kOogFTv5zkZnr_oA2bQXJJZDDrc5BL0OUu_VxGdFJSDeAKwfBuiHibwfUTrBiACVeAAgJKD7pgDvEOQHdT2IvhHE1nWvDMZULSH1QNkb95poz0RCXk5v-lEJA&amp;__tn__=kK-R">MAUS MÁLAGA</a><br><br></div><div>Seine lebendigen Spritzer findet man überall auf der Welt.<br><br></div><div>SUSO33 (Jahrgang 1973) ist ein spanischer Künstler, der auf der Grundlage von Graffiti und Street Art seine Arbeit in verschiedenen Bereichen entwickelt hat: Action Painting, Installation, Videokunst, Performance und Bühnenbild. Er gilt als eine der spanischen Referenzen für Graffiti, Urban Art und Muralismus.<br><br></div><div>Das Malen in Bewegung, verstanden als Geste und Abdruck des Körpers, ist der Kern einer Praxis, in der die Grenzen zwischen Malerei, Performance und darstellender Kunst niedergerissen werden und neue Technologien eine führende Rolle spielen.<br><br></div><div><em>The walls speak, they are like a way of life </em>. <strong>SUSO33</strong>&nbsp;</div>

Splash

<div>On the wall of a building in the square, a group of more or less concentrated human silhouettes occupy the entire surface of the wall. The light casts their shadows on the fictitious surface on which they stand. Seen from a distance, this group is vaguely reminiscent of a larger human silhouette made up of all the small silhouettes.<br><br>In words of the artist, "What I am talking about here is the individual as opposed to the mass, the contrast of feeling part of the whole and at the same time exclusive and unique".<br><br>Translated with www.DeepL.com/Translator (free version)</div>

<div>An artwork about the diversity and cultural plurality of the population in this town.</div>

<div>Suso33 turns those enigmatic figures that look like shadows about to vanish, into an icon. Cualtis have used them to decorate their headquarters, breaking with them the scale of the building and thus emphasising the size of the people.</div>

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suso33

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